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Pizmonim are traditional Jewish songs and melodies with the intentions of praising God as well as learning certain aspects of traditional religious teachings. They are sung throughout religious rituals and festivities such as prayers, circumcisions , bar mitzvahs , weddings and other ceremonies.
Pizmonim are traditional Jewish songs and melodies praising God and describing certain aspects of traditional religious teachings. Pizmonim are traditionally associated with Middle Eastern Sephardic Jews, although they are related to Ashkenazi Jews' zemirot (see below).
The music may have preserved a few phrases in the reading of scripture which recalled songs from the Temple itself; but generally it echoed the tones which the Jew of each age and country heard around him, not merely in the actual borrowing of tunes, but more in the tonality on which the local music was based.
"Hevenu shalom aleichem" (Hebrew: הבאנו שלום עליכם "We brought peace upon you" [1]) is a Hebrew-language folk song based on the greeting Shalom aleichem.While perceived to be an Israeli folk song, the melody of "Hevenu shalom aleichem" pre-dates the current state of Israel and is of Hasidic origin.
The Songs of Joy (watercolor circa 1896–1902 by James Tissot) Song of the Sea from a Sefer Torah. The Song of the Sea (Hebrew: שירת הים, Shirat HaYam; also known as Az Yashir Moshe and Song of Moses, or Mi Chamocha) is a poem that appears in the Book of Exodus of the Hebrew Bible, at Exodus 15:1–18.
The Song of Songs (Hebrew: שיר השירים Shir ha-Shirim) is read publicly in some communities, especially by Ashkenazim, on the Sabbath of Passover. In most Mizrahi Jewish communities it is read publicly each week at the onset of the Shabbat (Sabbath). There is also a widespread custom to read it at the end of the Passover Seder.
The Tz'enah Ur'enah (Hebrew: צְאֶנָה וּרְאֶינָה Ṣʼenā urʼenā "Go forth and see"; Yiddish pronunciation: [ˌʦɛnəˈʁɛnə]; Hebrew pronunciation: [ʦeˈʔena uʁˈʔena]), also spelt Tsene-rene and Tseno Ureno, sometimes called the Women's Bible, is a Yiddish-language prose work whose structure parallels the weekly Torah portions and Haftarahs used in Jewish prayer ...
Her songs are used in Reform, Conservative, and Orthodox Jewish congregations. [5] Orthodox Jewish feminist Blu Greenberg noted: "she had a large impact [in] Modern Orthodox shuls, women's tefillah [prayer], [and] Orthodox feminist circles.... She was a religious bard and angel for the entire community."