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Free music or libre music is music that, like free software, can freely be copied, distributed and modified for any purpose. Thus free music is either in the public domain or licensed under a free license by the artist or copyright holder themselves, often as a method of promotion.
Rogers Communications Inc. v. Society of Composers, Authors and Music Publishers of Canada, 2012 SCC 35, a companion case clarifying the meaning of "communication to the public" in the context of online streaming music. Society of Composers, Authors and Music Publishers of Canada v.
To aid with attribution at the end of a few sentences, consider using a general attribution template such as the {{citation-attribution}} template for public-domain sources or {} for compatibly licensed sources, {{Free-content attribution}} which is designed around material with an externally posted license, or use a source-specific attribution ...
False attribution may refer to: Misattribution in general, when a quotation or work is accidentally, traditionally, or based on bad information attributed to the wrong person or group A specific fallacy where an advocate appeals to an irrelevant, unqualified, unidentified, biased, or fabricated source in support of an argument.
Attribution, in copyright law, is acknowledgment as credit to the copyright holder or author of a work. If a work is under copyright, there is a long tradition of the author requiring attribution while directly quoting portions of work created by that author.
The Free Music Archive (FMA) is an online repository of royalty-free music, currently based in the Netherlands. [1] Established in 2009 by the East Orange, New Jersey community radio station WFMU and in cooperation with fellow stations KBOO and KEXP , it aims to provide music under Creative Commons licenses that can be freely downloaded and ...
The Definition of Free Cultural Works is used by the Wikimedia Foundation. [7] In 2008, the Attribution and Attribution-ShareAlike Creative Commons licenses were marked as "Approved for Free Cultural Works". [8]
The Conference on College Composition and Communication commented that creators and re-users have their own biases and tend to interpret "noncommercial" in a way that favors their own use. [ 3 ] Online magazine repeated the report's claim that two-thirds of Creative Commons usage was with noncommercial licenses and that there was public ...