Search results
Results from the WOW.Com Content Network
African textiles also have significance as historical documents, offering perspectives in cases where written historical accounts are unavailable: "History in Africa may be read, told and recorded in cloth." [36] Western African demand for cotton textiles fueled early South-South exchange during colonial times. [37]
Akwete Cloth and Its Motifs, Marian Davis, African Arts Vol. 7, No. 3 (Spring, 1974), pp. 22–25 Published by: UCLA James S. Coleman African Studies Center Akwete cloth: An Igbo textile art Vanguard Newspaper published July 26, 2012 by McPhilips Nwachukwu and Appollos Oziogu Ibebabuchi
African waxprints, West Africa Waxprints sold in a shop in West Africa Lady selling colourful waxprint fabrics in Togo "Afrika im Gewand - Textile Kreationen in bunter Vielfalt", African Textiles Exhibition Museum der Völker 2016. African wax prints, Dutch wax prints [1] [2] or Ankara, [3] are a type of common material for clothing in West Africa.
After the Cotton Famine, the European textile industry looked to new sources of raw cotton. The African colonies of West Africa and Mozambique provided a cheap supply. Taxes and extra-market means again discouraged local textile production. Working conditions were brutal, especially in the Congo, Angola, and Mozambique. Several revolts occurred ...
Korhogo cloth is an African textile made by the Senufo people of Korhogo, Ivory Coast. Often described as being in the shadows of bogolafini (mud cloth) and kente, [1] korhogo comes in neutral and earthy tones like browns, blacks and creams. Korhogo is made by hand painting designs on hand woven and hand spun cotton fabric.
Aso Oke sewn into Agbada outfit and Fila Traditional Yoruba women's garment. Aso oke fabric, (Yoruba: aṣọ òkè, pronounced ah-SHAW-okay) is a hand-woven cloth that originated from the Yoruba people of Yorubaland within today's Nigeria, Benin and Togo.
Though an essential raw material, cotton is controversial. It is "the center of the most exploitative production complex in human history," as a New York Botanical Garden exhibit noted. During the ...
Davies-Okundaye's adire and batik textiles use visual themes taken from Yoruba history and mythology, as well as visual themes inspired by her own life experiences and dreams. [9] According to Kim Marie Vaz, folklore often intermingles with personal experiences to express disheartening subjects regarding female suffering.