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This page was last edited on 22 November 2023, at 18:07 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Roland Charles (August 31, 1938 – May 26, 2000) was an African-American photographer and gallerist, best known for co-founding The Black Photographers of California and its associated exhibition space, the Black Gallery, in Los Angeles, among the first institutions by and for black photographers.
Hicks had been a photographer since he received his first camera, a box camera, in elementary school, and in Los Angeles, he continued to take photos and paint. [2] He also continued to study art at the Inner City Cultural Center, the Los Angeles Trade-Technical College, and from 1984 to 1986, the Otis Art Institute.
Douglas McCulloh (born 1959, in Los Angeles) is an American photographer notable for conceptual photographic projects based on "systematic randomness" [1] and chance operations. [2] McCulloh's work is "an extension of the traditions of street photography , social documentary photography , oral history and Surrealist chance operations", states ...
Cuadros would accompany Aguilar to Downtown Los Angeles for pictures. Aguilar was active as a photographer beginning in the 1980s. [7] She was mainly self-taught, although she studied for a time at East Los Angeles Community College and participated in The Friends of Photography Workshop and Santa Fe Photographic Workshop. [8]
Elliott Erwitt (born Elio Romano Erwitz, July 26, 1928 – November 29, 2023) was a French-born American advertising and documentary photographer known for his black and white candid photos of ironic and absurd situations within everyday settings.
Pages in category "Photographers from California" The following 200 pages are in this category, out of approximately 208 total. This list may not reflect recent changes .
The photographs were placed on the sides of buses and the backs of bus benches in Los Angeles, San Diego, and Oakland, California in the U.S., and in Arles, France. The benches were conceived as a response to the dehumanizing effects of advertising; [ 15 ] [ 16 ] [ 17 ] they were exhibited in numerous venues including the Los Angeles Municipal ...
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