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  2. Audio coding format - Wikipedia

    en.wikipedia.org/wiki/Audio_coding_format

    The most widely used audio coding formats are MP3 and Advanced Audio Coding (AAC), both of which are lossy formats based on modified discrete cosine transform (MDCT) and perceptual coding algorithms. Lossless audio coding formats such as FLAC and Apple Lossless are sometimes available, though at the cost of larger files.

  3. MP3 - Wikipedia

    en.wikipedia.org/wiki/MP3

    As the MP3 standard allows quite a bit of freedom with encoding algorithms, different encoders do feature quite different quality, even with identical bit rates. As an example, in a public listening test featuring two early MP3 encoders set at about 128 kbit/s, [75] one scored 3.66 on a 1–5 scale, while the other scored only 2.22. Quality is ...

  4. Comparison of audio coding formats - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_audio_coding...

    For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint. First public release date is first of either specification publishing or source releasing, or in the case of closed-specification, closed-source codecs ...

  5. Audio codec - Wikipedia

    en.wikipedia.org/wiki/Audio_codec

    Most modern audio compression algorithms are based on modified discrete cosine transform (MDCT) coding and linear predictive coding (LPC). In hardware, audio codec refers to a single device that encodes analog audio as digital signals and decodes digital back into analog.

  6. Sub-band coding - Wikipedia

    en.wikipedia.org/wiki/Sub-band_coding

    A classic method is nonlinear PCM, such as the μ-law algorithm. Small signals are digitized with finer granularity than are large ones; the effect is to add noise that is proportional to the signal strength. Sun's Au file format for sound is a popular example of mu-law encoding. Using 8-bit mu-law encoding would cut the per-channel bitrate of ...

  7. Code-excited linear prediction - Wikipedia

    en.wikipedia.org/wiki/Code-excited_linear_prediction

    Code-excited linear prediction (CELP) is a linear predictive speech coding algorithm originally proposed by Manfred R. Schroeder and Bishnu S. Atal in 1985. At the time, it provided significantly better quality than existing low bit-rate algorithms, such as residual-excited linear prediction (RELP) and linear predictive coding (LPC) vocoders (e.g., FS-1015).

  8. SBC (codec) - Wikipedia

    en.wikipedia.org/wiki/SBC_(codec)

    It uses 4 or 8 subbands, an adaptive bit allocation algorithm in combination with an adaptive block PCM quantizer. [1] Frans de Bont has based the SBC audio codec on his earlier work, [7] and – in parts – on the MPEG-1 Audio Layer II standard. In addition, the SBC is based on the algorithms described in the EP-0400755B1. [8]

  9. libavcodec - Wikipedia

    en.wikipedia.org/wiki/Libavcodec

    Free and open-source software portal; libavcodec is a free and open-source [4] library of codecs for encoding and decoding video and audio data. [5]libavcodec is an integral part of many open-source multimedia applications and frameworks.