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Rembrandt et la figure du Christ/Rembrandt and the face of Jesus, Musée du Louvre, Paris, 21 April 2011 – 18 July 2011, Philadelphia Museum of Art, Philadelphia, 3 August 2011 – 30 October 2011, Detroit Institute of Arts, Detroit, 20 November 2011 – 12 February 2012, ISBN 978-88-89854-71-6, cat.no. 35.
Christ of Saint John of the Cross has continued to generate controversy. At the time of its purchase by Honeyman, the verdict by modern art critics was that producing such a traditional painting was a stunt by an artist already famous for his surrealist art. [6] The picture was voted Scotland's favourite painting in 2006, with 29% of the vote. [11]
Christ of Saint John of the Cross; Christ on the Cross (Murillo) Crucifix (Cimabue, Arezzo) Crucifix (Cimabue, Santa Croce) The Crucifixion (Cranach) Cristo de Chircales; Crucified Christ (Cosmè Tura) Crucifix of Pisa; Crucifixion (Tintoretto) Crucifixion (Titian) Crucifixion (1933) Crucifixion (Corpus Hypercubus) The Crucifixion (Margkazinis)
Nativity of Jesus in art; Adoration of the Magi (Three Kings), sometimes combined with the Adoration of the Shepherds; Circumcision of Christ; Presentation of Jesus; Flight to Egypt, or the Massacre of the Innocents. Later sometimes the Rest on the Flight into Egypt. Finding in the Temple, the last episode of Jesus's childhood in the Canonical ...
The banner on the Triumphal cross is usually white and has a red cross, symbolizing the victory of the resurrected Christ over death. The symbol derived from the 4th century vision of the Roman Emperor Constantine the Great and his use of a cross on the Roman Standard. [23] Resurrection of Christ, Annibale Carracci, 1593, Louvre
In the center foreground is a Pietà portraying the body of Jesus being cradled in his mother Mary's arms. The Apostle John supports his back and is modeled on a youth holding up the body of Christ in a Deposition painted by Bronzino's teacher, Pontormo. [13] Mary Magdalene kneels on the right and supports the feet of Jesus. Her jar of ointment ...
The outlay of Crucifixion plaques was heavily influenced by imagery from early illuminated gospels, and it seems likely that the craftsmen had copies of these at hand. . Examples include folio 200 recto of the Book of Kells, f.38 verto from the Southampton Psalter, miniatures from the Irish Gospels of St. Gall, [6] and Durham Gospels, and the spear-bearer on the c. 1026 cumdach for the Stowe M
Cardinal Albert of Brandenburg before Christ on the Cross; Christ Among the Doctors (Dürer) Christ Among the Doctors (Luini) Christ Among the Doctors (Veronese) Christ and Sinner; Christ and the Canaanite Woman (Carracci) Christ and the Canaanite Woman (Preti) Christ and the Penitent Sinners; Christ and the Samaritan Woman (de Troy)