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Synthwave (also called outrun, retrowave, or futuresynth [5]) is an electronic music microgenre that is based predominantly on the music associated with action ...
Starting in the late 2010s, the derived term soundfont has gradually gained online colloquial status to refer to chiptune – specifically the soundscape of a console's sound chip. Any video game console that utilizes sequenced audio is often referred as having "the [console] soundfont", similar to the usage of Coke to refer to any soft drink.
Examples of electromechanical sound producing devices include the telharmonium, Hammond organ, electric piano, and the electric guitar. Purely electronic sound production can be achieved using devices such as the theremin, sound synthesizer, and computer. [2] Genre, however, is not always dependent on instrumentation.
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Electronic music made occasional moves into the mainstream, with jazz musician Stan Free, under the pseudonym Hot Butter, having a top 10 hit in the United States and United Kingdom in 1972, with a cover of the 1969 Gershon Kingsley song "Popcorn" using a Moog synthesizer, which is recognised as a forerunner to synth-pop and disco. [29]
During the COVID-19 pandemic, Sovietwave experienced a growth in popularity, along with related forms of vaporwave and synthwave. [14] This upsurge was driven in large part by the success of the Belarusian post-punk band Molchat Doma, whose song "Судно (Борис Рыжий)" from the album Etazhi became a popular meme on TikTok.
The film explores the origins and growth of the electronic music genre known as synthwave, charting its rise in popularity from the underground online music scene [1] to its recent mainstream exposure, following use in retro-themed soundtracks, notably the 2011 film Drive [2] and more recently, the television series Stranger Things.
Tom Andersson (born 26 September 1984), known professionally as Waveshaper, is a Swedish electronic musician [1] specialising in synthwave.Inspired by artists like Jean-Michel Jarre, Kraftwerk and Daft Punk, as well as 80s movie soundtracks, his music is retrofuturistic and is composed with a variety of hardware synthesizers, including the ARP 2600, Roland Jupiter-4, and Korg MS-20. [2]