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Visual poetry is a style of poetry that incorporates graphic and visual design elements to convey its meaning. This style combines visual art and written expression to create new ways of presenting and interpreting poetry. [1] Visual poetry focuses on playing with form, which means it often takes on various art styles.
Another difficulty of definition is caused by the way such works cross artistic boundaries into the areas of music and sculpture, or can alternatively be defined as sound poetry, visual poetry, found poetry and typewriter art. [25] Henri Chopin's work was related to his musical treatment of the word.
Poetry film is a subgenre of film that fuses the use of spoken word poetry, visual images, and sound. This fusion of image and spoken word (both independent and interdependent) creates what William Wees called the "Poetry-film" genre.
How the filmmakers behind 'A Complete Unknown' embraced the grit of the New York streets.
Ekphrasis or ecphrasis (from the Greek) is a rhetorical device indicating the written description of a work of art. [1] It is a vivid, often dramatic, verbal description of a visual work of art, either real or imagined.
Visual imagery pertains to graphics, visual scenes, pictures, or the sense of sight. Auditory imagery pertains to sounds, noises, music, or the sense of hearing. (This kind of imagery may come in the form of onomatopoeia). Olfactory imagery pertains to odors, aromas, scents, or the sense of smell.
Poetic Diction is a style of writing in poetry which encompasses vocabulary, phrasing, and grammatical usage. Along with syntax, poetic diction functions in the setting the tone, mood, and atmosphere of a poem to convey the poet's intention.
Phanopoeia or phanopeia is defined as "a casting of images upon the visual imagination," [1] throwing the object (fixed or moving) on to the visual imagination. In the first publication of these three types, Pound refers to phanopoeia as "imagism."