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Concrete poetry relates more to the visual than to the verbal arts although there is a considerable overlap in the kind of product to which it refers. Historically, however, concrete poetry has developed from a long tradition of shaped or patterned poems in which the words are arranged in such a way as to depict their subject.
Poems in the form of an altar reappear in the Baroque period, written by educated authors who had come across the shaped poems preserved in the Greek anthology.At the very beginning of this period, an altar was found to be a convenient shape for an epitaph, as in the anonymous tribute in Greek to the poet Philip Sydney in the Peplus Illustrissimi viri D. Philippi Sidnaei (1587), [5] and there ...
A diamante poem is a poem that makes the shape of a diamond. The poem can be used in two ways, either comparing and contrasting two different subjects, or naming synonyms at the beginning of the poem and then antonyms for the second half for a subject. In the poems, the subject is named in one word in the first line.
The poem in a Baroque architectural frame from the 1670 edition of George Herbert's The Temple "The Altar" is a shaped poem by the Welsh-born poet and Anglican priest George Herbert, first published in his posthumous collection The Temple (1633).
The Mouse's Tale" is a shaped poem by Lewis Carroll which appears in his 1865 novel Alice's Adventures in Wonderland. Though no formal title for the poem is given in the text, the chapter title refers to "A Long Tale" and the Mouse introduces it by saying, "Mine is a long and sad tale!" As well as the contribution of typography to illustrate ...
The Convergence of the Twain (Lines on the loss of the Titanic)" is a poem by Thomas Hardy, published in 1912. The poem describes the sinking and wreckage of the ocean liner RMS Titanic. "Convergence" is written in tercets and consists of eleven stanzas (I to XI), following the AAA rhyme pattern. [1] [2] [3] [4]
The fire already consumed the dead mother and unveiled life in its lonely nakedness. The answer came from the Fire that it is the terrible desire that shaped the infant in his mother's womb. 'Beside the Death Bed' is a philosophical poem by this great poet. In this poem, Chattopadhyay says that death is the highest bidder and life is the lowest ...
A copy of the manuscript written for presentation to the Cambridge University press in 1633. Herbert's poetry may be referred to the 16th century tradition of the emblem, which combines a motto with a simple symbolic picture and poetic explanation, [4] as well as, in the case of “Easter Wings”, the example of Greek shaped poetry.
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