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A scene from the Bayeux Tapestry depicting Bishop Odo rallying Duke William's army during the Battle of Hastings in 1066. The Bayeux Tapestry [a] is an embroidered cloth nearly 70 metres (230 feet) long and 50 centimetres (20 inches) tall [1] that depicts the events leading up to the Norman Conquest of England in 1066, led by William, Duke of Normandy challenging Harold II, King of England ...
The Bayeux Tapestry tituli are Medieval Latin captions that are embroidered on the Bayeux Tapestry and describe scenes portrayed on the tapestry. These depict events leading up to the Norman conquest of England concerning William, Duke of Normandy, and Harold, Earl of Wessex, later King of England, and culminating in the Battle of Hastings.
Montfaucon was largely responsible for bringing the Bayeux Tapestry to public attention. In 1724, the scholar Antoine Lancelot discovered drawings of a section of the tapestry (about 30 feet of the Tapestry's 231 feet) among papers of Nicolas-Joseph Foucault, a Norman administrator. (These drawings of the tapestry's images "classicized" the ...
Bayeux Cathedral, also known as Cathedral of Our Lady of Bayeux (French: Cathédrale Notre-Dame de Bayeux), is a Roman Catholic church located in the town of Bayeux in Normandy, France. A national monument, it is the seat of the Bishop of Bayeux and Lisieux and was probably the original home of the Bayeux Tapestry, still preserved
Odo of Bayeux (died 1097) was Bishop of Bayeux in Normandy and was also made Earl of Kent in England following the Norman Conquest. He was the maternal half-brother of duke, and later king, William the Conqueror , and was, for a time, William's primary administrator in the Kingdom of England, although he was eventually tried for defrauding ...
The Bayeux Tapestry, an annotated pictorial representation of the Norman Conquest. It was probably made in Canterbury, shortly after the event in the 11th century (many figures on the tapestry can be shown to have been copied from figures on manuscripts known to have been in Canterbury at the time).
The tapestry mentions a small number of important figures by name. When they are mentioned, their name is depicted directly above their head. For this reason, some believe that Turold is not the messenger in red who would later become Constable of Bayeux, but the man who appears to have a form of dwarfism and is holding the messenger's horse's reins. [1]
In other artistic areas, including embroidery, the Anglo-Saxon influence remained evident into the twelfth century, and the famous Bayeux Tapestry is an example of older styles being reemployed under the new regime. [164] Stained glass had been introduced into Anglo-Saxon England. Very few examples of glass survive from the Norman period, but ...
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