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Burundi traditionally had two official languages: Kirundi and French. English became the third official language of the country in 2014. Of these, only Kirundi is spoken by the vast majority of the population. It is recognised as the national language by the Burundian constitution of 2005. [1]
République du Congo Repubilika ya Kôngo Republíki ya Kongó: Brazzaville Balazavile Brazzaville: French Kongo Lingala: Democratic Republic of the Congo: Kinshasa: République démocratique du Congo Republíki ya Kongó Demokratíki Repubilika ya Kôngo ya Dimokalasi Jamhuri ya Kidemokrasia ya Kongo: Kinshasa Kinsasa Kinsásá Kinshasa ...
The Merriam-Webster Online Dictionary suggests the first pronunciation. Similarly, this pronunciation markup guide will choose the most widely used form. NOTE: This guide is designed to be simple and easy to use. This can only be achieved by giving up scope and freedom from occasional ambiguity.
The pronunciation in final open syllables is always phonemically /ɑ/, but it is phonetically ranges between [ɑ] or [ɔ] speaker-to-speaker (Canada [kanadɑ] ⓘ or [kanadɔ] ⓘ), the latter being informal. There are some exceptions; the words la, ma, ta, sa, fa, papa and caca are always pronounced with the phoneme /a/.
toi (from classic French pronunciation of toi) you (singular, oblique) moé: moi (from classic French pronunciation of moi) me pis, pis quoi et puis, puis quoi and, So what moé j'vo [ʒvɔ] or j'va : moi je vais au/a la I will, I am going Çé c'est It is Lé Les The (plural) Ço [sɔ] Ça That Po [pɔ] Pas Not Lo [ʟɔ] Là There
A simplified diagram of Canadian raising (Rogers 2000:124).Actual starting points vary. Canadian raising (also sometimes known as English diphthong raising [1]) is an allophonic rule of phonology in many varieties of North American English that changes the pronunciation of diphthongs with open-vowel starting points.
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Formally, akazehe is characterized in its lyrics by such stylistic devices as allusion, metaphor, alliteration, and metonymy. [2]The lyrical contents of the chant can include expressions of complicity and affection, affirmations of the two performers' relative roles (e.g. Hello, hello my daughter; Yes, yes, yes my dear [4]), exchanged news, advice, and personal stories about female domestic ...