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Dramatism, a communication studies theory, was developed by Kenneth Burke as a tool for analyzing human relationships through the use of language. Burke viewed dramatism from the lens of logology , which studies how people's ways of speaking shape their attitudes towards the world. [ 1 ]
Burke describes two different types of terministic screens: scientistic and dramatistic. Scientistic begins with a definition of a term; it describes the term as what it is or what it is not, putting the term in black and white. When defining, the essential function is either attitudinal or hortatory.
The dramatistic pentad forms the core structure of dramatism, a method for examining motivations that the renowned literary critic Kenneth Burke developed. Dramatism recommends the use of a metalinguistic approach to stories about human action that investigates the roles and uses of five rhetorical elements common to all narratives, each of which is related to a question.
Dramaturgy is a sociological perspective that analyzes micro-sociological accounts of everyday social interactions through the analogy of performativity and theatrical dramaturgy, dividing such interactions between "actors", "audience" members, and various "front" and "back" stages.
Kenneth Duva Burke (May 5, 1897 – November 19, 1993) was an American literary theorist, as well as poet, essayist, and novelist, who wrote on 20th-century philosophy, aesthetics, criticism, and rhetorical theory. [1]
Structuralistic approaches had a lot of influence on literature science and linguistics until the 1970's, but was largely ignored in dramatic theory. [20] Nonetheless, some dramaturges included structuralistic analyses into their work and some literature scientists, such as Herta Schmid, tried to develop a structuralistic dramatic theory. [ 21 ]
Language as Symbolic Action: Essays on Life, Literature and Method is a book by Kenneth Burke, published in 1966 by the University of California Press. [1] As indicated by the title, the book, Burke's 16th published work, consists of “many of Burke's essays which have appeared in widely diverse periodicals” and has thus been regarded as one of the most significant resources for studying ...
In particular, the concept of identification can expand our vision of the realm of rhetoric as more than solely agonistic. To be sure, that is the way we have traditionally situated it: “Rhetoric,” writes Burke, “is par excellence the region of the Scramble, of insult and injury, bickering, squabbling, malice and the lie, cloaked malice and the subsidized lie. . . .