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In New Zealand, it was certified four times Platinum. The song was the best-selling single of 2012 in the UK with 1,318,000 copies sold. [59] [60] Gotye has not monetised the song or any of his others through advertisements on YouTube, as he believes that there is too much advertising in the world.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
The tune is a jazz standard that has been widely recorded, both by vocal artists from Billie Holiday and Tony Bennett to the Miracles and Dee Dee Bridgewater, and such instrumentalists as James Moody, [1] Chet Baker, Gerry Mulligan, Bill Evans, Sonny Clark with Donald Byrd and John Coltrane, Roy Hargrove, Coleman Hawkins, Woody Shaw, Bobby Shew ...
Leon Bismark "Bix" Beiderbecke (/ ˈ b aɪ d ər b ɛ k / BY-dər-bek; [1] March 10, 1903 – August 6, 1931) was an American jazz cornetist, pianist and composer.. Beiderbecke was one of the most influential jazz soloists of the 1920s, a cornet player noted for an inventive lyrical approach and purity of tone, with such clarity of sound that one contemporary famously described it like ...
Free jazz musicians make use of free improvisation to alter, extend, or break down jazz convention, often by discarding fixed chord changes, tempos, melodies, or phrases. Ornette Coleman was an early and noted advocate of this style. 1950s -> Gypsy jazz: A style of jazz music often said to have been started by guitarist Jean "Django" Reinhardt ...
A performance at the Jazz in Duketown festival in 2019, located at 's-Hertogenbosch, North Brabant, Netherlands. Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music.
Relatively little has been written about sacred and liturgical jazz. In a 2013 doctoral dissertation, Angelo Versace examined the development of sacred jazz in the 1950s using disciplines of musicology and history. He noted that the traditions of black gospel music and jazz were combined in the 1950s to produce a new genre, "sacred jazz". [187]
A two bar sequence at the end of a blues progression, rhythm changes progression, or other forms, notably 32-bar AABA jazz song forms, which signals to the listeners and performers that the song ending or subsection ending has been reached, and as such, the song will repeat again from the beginning.