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Postmodern architecture is a style or movement which emerged in the 1960s as a reaction against the austerity, formality, and lack of variety of modern architecture, particularly in the international style advocated by Philip Johnson and Henry-Russell Hitchcock. [1]
It has been suggested that the term "postmodernism" is a mere buzzword that means nothing. For example, Dick Hebdige, in Hiding in the Light, writes: When it becomes possible for a people to describe as 'postmodern' the décor of a room, the design of a building, the diegesis of a film, the construction of a record, or a 'scratch' video, a television commercial, or an arts documentary, or the ...
His magnum opus, however, is the book The Language of Post-Modern Architecture, first published in 1977, and since running to seven editions [87] (in which he famously wrote: "Modern architecture died in St. Louis, Missouri, on 15 July 1972 at 3:32 p.m. (or thereabouts) when the infamous Pruitt–Igoe scheme, or rather several of its slab ...
Post-postmodernism is a wide-ranging set of developments in critical theory, philosophy, architecture, art, literature, and culture which are emerging from and reacting to postmodernism. Periodization
There is no agreement that all art after modernism is post-modern. Contemporary art is the more-widely used term to denote work since roughly 1960, though it has many other uses as well. Nor is post-modern art universally separated from modernism, with many critics seeing it as merely another phase in modern art or as another form of late ...
The Story of Post-Modernism: Five Decades of the Ironic, Iconic and Critical in Architecture, published in 2011, was the last book by Charles Jencks. Jencks discusses the history of Post-modernism, especially in the fields of art and architecture during the last five decades (since 1960). [ 1 ]
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Postmodern theatre emerged as a reaction against modernist theatre. Most postmodern productions are centered on highlighting the fallibility of definite truth, instead encouraging the audience to reach their own individual understanding. Essentially, thus, postmodern theatre raises questions rather than attempting to supply answers.