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This is a comprehensive list of songs recorded by the American alternative rock band R.E.M. that were officially released. The list includes songs performed by the entire band only (Berry, Buck, Mills and Stipe 1980 to 1997; Buck, Mills and Stipe 1998 to 2011).
The album is the first to collect songs from R.E.M.'s I.R.S. and Warner Bros. tenures, as well as three songs from the group's final studio recordings from post-Collapse into Now sessions. [73] In November, Mills and Stipe did a brief span of promotional appearances in British media, ruling out the option of the group ever reuniting. [74]
Beat the Retreat: Songs by Richard Thompson "Love Is All Around" 1996 I Shot Andy Warhol Soundtrack "Sponge" [142] Sweet Relief II: Gravity of the Situation "Star Me Kitten" Songs in the Key of X:Music from and Inspired by The X-Files "Revolution" [143] 1997 Batman & Robin soundtrack "Leave" (alternate version) [144] A Life Less Ordinary Soundtrack
In Time: The Best of R.E.M. 1988–2003 is the second official compilation album released by R.E.M. Issued in 2003, it includes tracks from their Warner Bros. Records era, from 1988's Green to 2001's Reveal, as well as two new recordings and two songs from movie soundtracks.
Out of Time is the seventh studio album by American alternative rock band R.E.M., released on March 12, 1991, [1] by Warner Bros. Records.With Out of Time, R.E.M.'s status grew from that of a cult band to a massive international act.
And you come back to the fact that playing loud electric-guitar music is about as fun as music can be." [ 19 ] Stipe's vocals were pushed down in the mix. [ 11 ] Buck's guitar work on the album was inspired by the tremolo -heavy guitar playing of Glen Johansson of Echobelly , who supported R.E.M. on some of the Monster Tour. [ 20 ]
Murmur is the debut studio album by American alternative rock band R.E.M., released on April 12, 1983, by I.R.S. Records.The album was recorded at Reflection Studios in Charlotte, North Carolina, with musicians Don Dixon and Mitch Easter serving as producers.
Instead of the music industry standard of waiting for mainstream radio stations to pick up the band's music, I.R.S. hoped to "convince reluctant programmers to add the group by pointing to the press response, word-of-mouth reaction to local live performances and sales figures", according to a July 1984 Los Angeles Times article. [39]