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One very basic form of Celtic or pseudo-Celtic linear knotwork. Stone Celtic crosses, such as this, are a major source of knowledge regarding Celtic knot design. Carpet page from Lindisfarne Gospels, showing knotwork detail. Almost all of the folios of the Book of Kells contain small illuminations like this decorated initial.
Due to its presence in insular Celtic art, Celtic Reconstructionists use the triquetra either to represent one of the various triplicities in their cosmology and theology (such as the tripartite division of the world into the realms of Land, Sea, and Sky), [6] or as a symbol of one of the specific Celtic triple goddesses – for example the ...
Also covered by the term is the visual art of the Celtic Revival (on the whole more notable for literature) from the 18th century to the modern era, which began as a conscious effort by Modern Celts, mostly in the British Isles, to express self-identification and nationalism, and became popular well beyond the Celtic nations, and whose style is ...
Late examples of the triple spiral symbols are found in Iron Age Europe, carved in rock in Castro Culture settlements in Galicia, Asturias, and Northern Portugal. The symbol took on new meaning to Irish Celtic Christians before the 5th century CE as a symbol of the Trinity. [citation needed]
As a Celtic symbol, it is used by various eclectic or syncretic traditions such as Neopaganism. Druze: Druze star: The Druze strictly avoid iconography, but use five colors ("Five Limits") on their Druze star and Druze flag as a religious symbol: [7] [8] [9] green, red, yellow, blue, and white.
An adapted unicursal hexagram is an important symbol in Thelema. In Aleister Crowley's Thelema, the hexagram is usually depicted with a five-petalled flower in the centre which symbolises the pentagram. The hexagram represents the heavenly macrocosmic or planetary forces and is a symbol equivalent to the Rosicrucian Rose Cross or ancient ...
Since the Celtic Revival, the ringed cross became an emblem of Celtic identity, in addition to its more traditional religious symbolism. [6] Modern interest in the symbol increased because of Alexander and Euphemia Ritchie. The two worked on the island of Iona in Scotland from 1899 to 1940 and popularised use of the Celtic cross in jewelry. [7]
Examples of such symbols are the Snoldelev stone horns [20] and the Diana of Poitiers crescents. [ 3 ] Some knot-theoretic links contain multiple Borromean rings configurations; one five-loop link of this type is used as a symbol in Discordianism , based on a depiction in the Principia Discordia .
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