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Romilly Allen has identified "eight elementary knots which form the basis of nearly all the interlaced patterns in Celtic decorative art". [ 4 ] [ 5 ] The Celtic knot as a tattoo design became popular in the United States in the 1970s and 1980s.
Aidan Meehan is an Irish artist and author of 18 books on Celtic art and design. [1] [2] including the eight-volume Celtic Design series and Celtic Alphabets, Celtic Borders, The Book of Kells Painting Book, The Lindisfarne Painting Book and Celtic Knots, all published by Thames & Hudson
His son Iain Bain, an engineer, later wrote two books - "Celtic Knotwork" and "Celtic Key Patterns" that were intended to simplify the creation of knotwork and keypattern designs by using grid lines and diagonals rather than the mathematical formulae applied by his father. [13]
Celtic art has used a variety of styles and has shown influences from other cultures in their knotwork, spirals, key patterns, lettering, zoomorphics, plant forms and human figures. As the archaeologist Catherine Johns put it: "Common to Celtic art over a wide chronological and geographical span is an exquisite sense of balance in the layout ...
The triquetra is often used artistically as a design element when Celtic knotwork is used, especially in association with the modern Celtic nations. The triquetra, also known as a "Irish Trinity Knot", is often found as a design element in popular Irish jewelry such as claddaghs and other wedding or engagement rings.
Interlace and knotwork are often found in Byzantine art, continuing Roman usage, but they are not given great prominence. One notable example of a widespread local usage of interlace is the three-ribbon interlace found in the early medieval Croatia on stone carvings from the 9th to 11th centuries.
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