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A doublet (/ˈdʌblɪt/; [1] derived from the Ital. giubbetta[2]) is a man's snug-fitting jacket that is shaped and fitted to a man's body. The garment was worn in Spain, and spread to the rest of Western Europe, from the late Middle Ages up to the 17th century. Until the end of the 15th century, the doublet was usually worn under another layer ...
Fashion in the period 1550–1600 in European clothing was characterized by increased opulence. Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation remained prominent. The wide silhouette, conical for women with breadth at the hips and broadly square for men with width at the shoulders had reached ...
1650–1700 in Western fashion. The elegant gentleman wears a coat, waistcoat, and breeches. The lady's bodice is long-waisted and her over skirt is draped and pinned up behind, Dutch, 1678. Fashion in the period 1650–1700 in Western clothing is characterized by rapid change. The style of this era is known as Baroque.
Fashion in the period 1500–1550 in Europe is marked by very thick, big and voluminous clothing worn in an abundance of layers (one reaction to the cooling temperatures of the Little Ice Age, especially in Northern Europe and the British Isles). Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation ...
t. e. The history of Italian fashion is a chronological record of the events and people that impacted and evolved Italian fashion into what it is today. From the Middle Ages, Italian fashion has been popular internationally, with cities in Italy producing textiles like velvet, silk, and wool. During the Middle Ages and Renaissance, Italian ...
Italian fashion of the 1470s featured short overgowns worn over doublets, and hats of many shapes. Hats in a variety of styles are also worn by this group of French noblemen in high-collared overgowns lined with fur, c. 1470. Late in the 15th century, a new style of loose overgown with revers and collar appeared. Italy, 1495.
The Welsh traditional costume (Welsh: Gwisg Gymreig draddodiadol) was worn by rural women in Wales. It was identified as being different from that worn by the rural women of England by many of the English visitors who toured Wales during the late 18th and early 19th centuries. It is very likely that what they wore was a survival of a pan ...
Mrs Hester Booth, née Santlow (circa 1690–1773) dressed as a harlequin, attributed to John Ellys. Harlequin-costume, dated 1656–1693. The harlequin is a character from Commedia dell'arte, a 16th-century Italian theater movement. Harlequins were witty, mischievous clowns. Their early costumes were sewn together from fabric scraps.