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Gershon Kingsley. " Popcorn " (first version " Pop Corn ") is an instrumental song composed by Gershon Kingsley in 1969 for the album Music to Moog By. It was performed on the Moog synthesizer and released on the Audio Fidelity label. The name is a combination of pop for Pop music and corn for kitsch. [3] The song became a worldwide hit in 1972 ...
Hot Butter were an American instrumental band fronted by the keyboard player and studio musician Stan Free. The other band members were John Abbott, Bill Jerome, Steve Jerome, Danny Jordan and Dave Mullaney. They were best known for their 1972 version of the Moog synthesizer instrumental song "Popcorn", originally recorded by its composer ...
What seems to have happened is that Hot Butter's 1972 version used the spelling Popcorn (all one word) and since then it has become the standard way of naming the song. The version on Music to Moog By used the spelling Pop Corn , but has run into problems with WP:COMMONNAME .-- ♦Ian Ma c M♦ (talk to me) 05:10, 26 September 2017 (UTC) [ reply ]
Apache (instrumental) " Apache " is a song written by Jerry Lordan and first recorded by Bert Weedon. Lordan played the song on ukulele to the Shadows while on tour and, liking the song, the group released their own version which topped the UK Singles Chart for five weeks in mid-1960. [1] The Shadows' guitarist Hank Marvin developed the song's ...
Well, I found that the original composer of Popcorn was Jean-Jacques Perrey, definitely not Gershon Kingsley. A guy called Kid Baltan made him decide to create electronic music. 'Kid Baltan' was an engineer who worked for Philips in the Netherlands. Kid Baltan's real name is Dick Raaijmakers.
The soundtrack to the 1996 science fiction action film Independence Day features musical score composed by David Arnold. It was first issued by RCA Victor in conjunction with the film's release consisted over fourteen tracks. An expanded score was released by La-La Land Records and Fox Music on April 2010, in a limited edition two-disc set that ...
The 9:37 song, the fourth and final track of the album, was Rush's first entirely instrumental piece. The multi-part piece was inspired by a dream guitarist Alex Lifeson had, and the music in these sections correspond to the occurrences in his dream. The opening segment was played on a nylon-string classical guitar.
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