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Here, the twelve-bar progression's last dominant, subdominant, and tonic chords (bars 9, 10, and 11–12, respectively) are doubled in length, becoming the sixteen-bar progression's 9th–10th, 11th–12th, and 13th–16th bars, [citation needed]
The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I, IV, and V chords of a key. Mastery of the blues and rhythm changes are "critical elements ...
On the Road Again (Canned Heat song) " On the Road Again " is a song recorded by the American blues rock group Canned Heat in 1967. A driving blues rock boogie, [3] it was adapted from earlier blues songs and includes mid-1960s psychedelic rock elements. Unlike most of Canned Heat's songs from the period which were sung by Bob Hite, second ...
Eight-bar blues progressions have more variations than the more rigidly defined twelve bar format. The move to the IV chord usually happens at bar 3 (as opposed to 5 in twelve bar); however, "the I chord moving to the V chord right away, in the second measure, is a characteristic of the eight-bar blues." [1]
Willie Dixon. " I Can't Quit You Baby " is blues song written by Willie Dixon and first recorded by Chicago blues artist Otis Rush in 1956. [1] It is a slow twelve-bar blues ensemble piece, with lyrics about the consequences of an adulterous relationship which is difficult to end. "I Can't Quit You Baby" was Rush's first recording and Cobra ...
Songwriter (s) Unknown. " It Hurts Me Too " is a blues standard, regarded as one of the most interpreted songs in the genre. [2] First recorded in 1940 by Tampa Red, the song is a mid-tempo eight-bar blues that features slide guitar. It borrows from earlier blues songs and has been recorded by many artists.
In music, the V–IV–I turnaround, or blues turnaround, [1] is one of several cadential patterns traditionally found in the twelve-bar blues, and commonly found in rock and roll. [2] The cadence moves from the tonic to dominant, to subdominant, and back to the tonic. "In a blues in A, the turnaround will consist of the chords E 7, D 7, A 7, E ...
Freddie Freeloader. " Freddie Freeloader " is a composition by Miles Davis and is the second track on his 1959 album Kind of Blue. The piece takes the form of a twelve-bar blues in B ♭, but the chord over the final two bars of each chorus is an A ♭ 7, not the traditional B ♭ 7 followed by either F7 for a turnaround or some variation of B ...