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Subcategories. This category has the following 9 subcategories, out of 9 total. Films set in 1660 (2 P) Films set in 1661 (2 P) Films set in 1662 (2 P) Films set in 1664 (1 P) Films set in 1665 (2 P) Films set in 1666 (3 P) Films set in 1667 (1 P)
Pages in category "Films set in 1660" The following 2 pages are in this category, out of 2 total. This list may not reflect recent changes. E. The Exile (1947 film) F.
1655–1660: The Polish–Lithuanian Commonwealth during the Second Northern War: The Man in the Iron Mask: 1977: 1660–1667: Loosely based on the existence of the Man in the Iron Mask. Set in France in the reign of Louis XIV: The Great Fire: 2014: 1666: Set during the Great Fire of London in England in 1666 Versailles: 2015: 1660s
1660 was a leap year starting on Thursday of the Gregorian calendar and a leap year starting on Sunday of the Julian calendar, the 1660th year of the Common Era (CE) and Anno Domini (AD) designations, the 660th year of the 2nd millennium, the 60th year of the 17th century, and the 1st year of the 1660s decade. As of the start of 1660, the ...
Restoration literature is the English literature written during the historical period commonly referred to as the English Restoration (1660–1688), which corresponds to the last years of Stuart reign in England, Scotland, Wales, and Ireland. In general, the term is used to denote roughly homogenous styles of literature that centre on a ...
The Vatican named Schindler's List among the most important 45 films ever made. [152] A Channel 4 poll named Schindler's List the ninth greatest film of all time, [6] and it ranked fourth in their 2005 war films poll. [153] The film was named the best of 1993 by critics such as James Berardinelli, [154] Roger Ebert, [89] and Gene Siskel. [155]
This category has the following 200 subcategories, out of 377 total. ... Films set in 1660 (2 P) Films set in 1661 ... Films set in 1902 ...
Not included are films where an overture is used to present the credits, or underscored scenes that are already part of the plot. Often, but not necessarily, these films also include an intermission with entr'acte, followed by exit music (after the credits). This list documents the rise and fall of the Overture/Roadshow practice over film history.