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Drypoint is a printmaking technique of the intaglio family, in which an image is incised into a plate (or "matrix") with a hard-pointed "needle" of sharp metal or diamond point. In principle, the method is practically identical to engraving .
An etching can be enhanced using a drypoint and burin, by engraving directly onto the plate - whereas in the etching process, the varnish is removed without touching the plate - [note 12] but the line can be coarse and the effect lost after the press has passed.
Areas of the photo-etch image may be stopped-out before etching to exclude them from the final image on the plate, or removed or lightened by scraping and burnishing once the plate has been etched. Once the photo-etching process is complete, the plate can be worked further as a normal intaglio plate, using drypoint, further etching, engraving ...
The term usually refers to the arts that rely more on line, color or tone, especially drawing and the various forms of engraving; [2] it is sometimes understood to refer specifically to drawing and the various printmaking processes, [2] such as line engraving, aquatint, drypoint, etching, mezzotint, monotype, lithography, and screen printing ...
Much greater pressure is then needed to force the paper into the channels containing the ink, so a high-pressure press is normally needed. Intaglio techniques include engraving, etching, and drypoint. In the planographic family of printing, the entire surface of the matrix is flat, and some areas are treated to create the print image. [1]
Italian and Dutch engraving began slightly after the Germans, but were well developed by 1500. Drypoint and etching were also German inventions of the fifteenth century, probably by the Housebook Master and Daniel Hopfer respectively. [14] [15] In the 15th century, woodcut and engraving served to produce both religious and secular imagery. One ...
Lewis was an acknowledged master of the intaglio techniques of printmaking, experimenting with multiple processes including etching, aquatint, engraving and drypoint. A highly skilled printer, Lewis created magnificent impressions that captured the energy, bustle and occasional solitude of all aspects of city life in New York.
In engraving, she specialized in the drypoint technique, while in sculpture, her portraits stood out. She was a teacher of plastic artists; Carmen Garayalde was a student. [ 1 ]
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