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Drypoint is a printmaking technique of the intaglio family, in which an image is incised into a plate (or "matrix") with a hard-pointed "needle" of sharp metal or diamond point. In principle, the method is practically identical to engraving .
Much greater pressure is then needed to force the paper into the channels containing the ink, so a high-pressure press is normally needed. Intaglio techniques include engraving, etching, and drypoint. In the planographic family of printing, the entire surface of the matrix is flat, and some areas are treated to create the print image. [1]
Etching soon came to challenge engraving as the most popular printmaking medium. Its great advantage was that, unlike engraving which requires special skill in metalworking, etching is relatively easy to learn for an artist trained in drawing. Etching prints are generally linear and often contain fine detail and contours.
Areas of the photo-etch image may be stopped-out before etching to exclude them from the final image on the plate, or removed or lightened by scraping and burnishing once the plate has been etched. Once the photo-etching process is complete, the plate can be worked further as a normal intaglio plate, using drypoint, further etching, engraving ...
The term usually refers to the arts that rely more on line, color or tone, especially drawing and the various forms of engraving; [2] it is sometimes understood to refer specifically to drawing and the various printmaking processes, [2] such as line engraving, aquatint, drypoint, etching, mezzotint, monotype, lithography, and screen printing ...
Intaglio: Acrylic-Resist Etching, Collagraphy, Engraving, Drypoint, Mezzotint. Mary Ann Wenniger (1981). Collagraph Printmaking. Clare Romano; John Ross (1980). The Complete Collagraph: The Art and Technique of Printmaking from Collage Plates. Donald Stoltenberg (1975). Collagraph Printmaking
The oil print process is a photographic printmaking process that dates to the mid-19th century. Oil prints are made on paper on which a thick gelatin layer has been sensitized to light using dichromate salts. After the paper is exposed to light through a negative, the gelatin emulsion is treated in such a way that highly exposed areas take up ...
They are eighty etchings in mixed technique of etching and aquatint, with drypoint retouches. The images, as the title indicates, are personal fantasies of the artist, in which there is, however, a good dose of social criticism, of "censorship of human errors and vices", as he expressed in an advertisement he published in the press.
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