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Rekhawali (in Hindi), published by Kala Prakashan, Allahabad, 1951. Kala Aur Aadhunik Pravityan (Art and Modern Trends) (in Hindi), published by Hindi Samiti, Govt. of Uttar Pradesh, India, II Edition 1963. Naveen Bhartiya Kala Shikshan Padhatti (Modern Indian Methods of Art Teaching) (in Hindi), published by Kitab Mahal, Allahabad, India, 1958.
This is a list of out-of-copyright books and journals about art and artists, available online to read or download. Includes the visual arts, such as painting, engraving, sculpture etc., only. Includes the visual arts, such as painting, engraving, sculpture etc., only.
Shilpa Shastras (Sanskrit: शिल्प शास्त्र śilpa śāstra) literally means the Science of Shilpa (arts and crafts). [1] [2] It is an ancient umbrella term for numerous Hindu texts that describe arts, crafts, and their design rules, principles and standards.
Training in the visual arts has generally been through variations of the apprentice and workshop systems. In Europe, the Renaissance movement to increase the prestige of the artist led to the academy system for training artists, and today most of the people who are pursuing a career in the arts train in art schools at tertiary levels.
The Dictionary of Indian Art and Artists, written by Pratima Sheth (an artist based in Mumbai), [1] is a reference work pertaining to Indian art and artists. The reference book took about 12 years of researching for collection, compiling, and consolidating the relevant information from the Indus art to the Indian art of the present time.
American Art Directory; Apple: Sex, Drugs, Motherhood and the Recovery of the Feminine; Art and Upheaval; The Art of Star Wars; The Art of Walt Disney; The Art of... The Artist Within; Artistry of the Mentally Ill; The Artist's Handbook of Materials and Techniques; The Arts and Computational Culture
In Indian aesthetics, a rasa (Sanskrit: रस) literally means "juice, essence or taste". [1] [2] It is a concept in Indian arts denoting the aesthetic flavour of any visual, literary or musical work that evokes an emotion or feeling in the reader or audience, but cannot be described. [2]
The Satasai (Satsai) or Bihari Satsai (Seven Hundred Verses of Bihari) is a famous work of the early 17th century by the Hindi poet Bihārī, in the Braj Bhasha dialect of Hindi spoken in the Braj region of northern India. [1] It contains Dohas, or couplets, on Bhakti (devotion), Neeti (Moral policies) and Shringara (love). [citation needed]