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Hoshimachi Suisei (星街すいせい) [2] is a Japanese singer and virtual YouTuber.She began posting videos as an independent creator in March 2018. In May 2019, she became affiliated with Hololive Production through their newly created music label, INoNaKa Music, before joining the agency's main branch later the same year.
Hololive Production (Japanese: ホロライブプロダクション, Hepburn: Hororaibu purodakushon) (Japanese pronunciation: [hoɾoɾaibɯ pɯɾodakɯ̥ɕoɴ]; stylized in lowercase) is a virtual YouTuber agency owned by Japanese tech entertainment company Cover Corporation.
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In February 2023, another update was released adding members from Hololive generations 1 and 2 from Japan. [11] On August 16, 2023, the game was released on Steam, along with an update adding all 9 members of Hololive Indonesia. [12] Update 0.7 was released in November 2024, adding Japanese members from Hololive generations 3 and 4. [13]
Gawr Gura (がうる・ぐら, Gauru Gura) is a virtual YouTuber affiliated with Hololive English. [2] [3] She is a member of Hololive English – Myth (stylized as HoloMyth), alongside Takanashi Kiara [] (小鳥遊キアラ), Mori Calliope, [4] Ninomae Ina'nis [] (一伊那尓栖), and Watson Amelia. [5]
Houshou Marine debuted in 11 August 2019 as the last member of hololive Fantasy to debut, after Usada Pekora, Uruha Rushia, Shirogane Noel, and Shiranui Flare.Her official character bio states that she calls herself the Captain ("Senchou") of the Houshou Pirates, but she doesn't actually own a ship (hoping her career will raise funds for one)—meaning she is only a cosplayer. [4]
Natsuiro Matsuri (夏色 まつり) [2] is a Japanese virtual YouTuber (VTuber) [3] affiliated with Hololive Production. [2] She is part of Hololive (Japan) 1st Generation alongside Akai Haato, Shirakami Fubuki and Aki Rosenthal. Matsuri debuted as a VTuber on June 1, 2018, and has since amassed over 1 million subscribers on YouTube.
Nijisanji (にじさんじ, stylized in all caps as NIJISANJI) is a virtual YouTuber agency owned by Anycolor Inc. (formerly Ichikara Inc.). [3] [4] [5] The agency was founded in 2018 with the purpose of promoting the use of Live2D models and streaming as opposed to the 3D and clips format popularized by Kizuna AI.