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Zakarya Anwar judges that while Tolkien himself was anti-racist, his fantasy writings can certainly be taken the wrong way. [5] With his different races of Men arranged from good in the West to evil in the East, simple in the North and sophisticated in the South, Tolkien had, in the view of John Magoun, constructed a "fully expressed moral ...
In Norse mythology, Ask and Embla (Old Norse: Askr ok Embla)—man and woman respectively—were the first two humans, created by the gods. The pair are attested in both the Poetic Edda , compiled in the 13th century from earlier traditional sources, and the Prose Edda , composed in the 13th century.
Mythic humanoids are legendary, folkloric, or mythological creatures that are part human, or that resemble humans through appearance or character. Each culture has different mythical creatures that come from many different origins, and many of these creatures are humanoids. They are often able to talk and in many stories they guide the hero on ...
The medievalist Marjorie Burns writes that "J.R.R. Tolkien's Middle-earth is conspicuously and intricately northern in both ancient and modern ways." [4] She cites a letter to the classics scholar Rhona Beare, where Tolkien wrote that he had not invented the name "Middle-earth", as it had come from "inhabitants of Northwestern Europe, Scandinavia, and England".
Comparative mythology has served a variety of academic purposes. For example, scholars have used the relationships between different myths to trace the development of religions and cultures, to propose common origins for myths from different cultures, and to support various psychoanalytical theories.
The resulting mythological "history of the world" may be divided into three or four broader periods: The myths of origin or age of gods (Theogonies, "births of gods"): myths about the origins of the world, the gods, and the human race. The age when gods and mortals mingled freely: stories of the early interactions between gods, demigods, and ...
Fragment of a Hellenistic relief (1st century BC–1st century AD) depicting the twelve Olympians carrying their attributes in procession; from left to right: Hestia (scepter), Hermes (winged cap and staff), Aphrodite (veiled), Ares (helmet and spear), Demeter (scepter and wheat sheaf), Hephaestus (staff), Hera (scepter), Poseidon (trident), Athena (owl and helmet), Zeus (thunderbolt and staff ...
Scorpion-men appear in the visual arts of Mesopotamia and ancient Iran before we know them from literature. Among the earliest representations of scorpion-men are an example from Jiroft in Iran, [5] as well as a depiction on the Bull Lyre [6] from the Early Dynastic Period city of Ur. Drawing of an Assyrian intaglio depicting scorpion men.