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Kenneth Morris (August 28, 1917 – February 1, 1989) [1] was an African American composer of gospel music and publisher who popularized several songs, including "Just a Closer Walk with Thee". Morris was born in New York in 1917 and performed in church as a youth before becoming a professional jazz musician.
"Palms of Victory" has been published in several "standard" hymnals, between 1900 and 1966: the Methodist Cokesbury Worship Hymnal of 1923 (hymn no. 142, as "Deliverance Will Come"), [8] the Mennonite Church and Sunday-school Hymnal of 1902 (hymn no. 132), [9] the Nazarene Glorious Gospel Hymns of 1931 (hymn no. 132, as "The Bloodwashed Pilgrim"), [10] the African Methodist Episcopal hymnal of ...
Alternative Lyrics Refrain Every time I feel the Spirit moving in my heart I will pray. Yes, every time I feel the Spirit moving in my heart I will pray Verse 1 Upon the mountain, my Lord spoke, out his mouth came fire and smoke. All around me, looks so shine, ask my Lord if all was mine. [Refrain] Verse 2 Jordan River, runs right cold,
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
Mr. Dorsey can be seen telling this story in the 1982 gospel music documentary Say Amen, Somebody.) The earliest known recording was made on February 16, 1937, by the "Heavenly Gospel Singers" (Bluebird B6846). [7] "Take My Hand, Precious Lord" was first published in 1938. [8] "Take My Hand, Precious Lord" is published in more than 40 languages ...
The song's origins are uncertain; however, its nearest known relative is the English folk song "The Twelve Apostles." [2] Both songs are listed in the Roud Folk Song Index as #133. Parallel features in the two songs' cumulative structure and lyrics (cumulating to 12 loosely biblical references) make this connection apparent.
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What most African Americans would identify today as "gospel" began in the early 20th century. The gospel music that Thomas A. Dorsey, Sallie Martin, Willie Mae Ford Smith and other pioneers popularized had its roots in the blues as well as in the more freewheeling forms of religious devotion of "Sanctified" or "Holiness" churches—sometimes called "holy rollers" by other denominations — who ...
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