Search results
Results from the WOW.Com Content Network
Hard Knock Life, released on October 27, 1998. It features a vocal and pitch-modified instrumental sample [1] of the song "It's the Hard Knock Life" from the 1977 musical Annie. The song was produced by The 45 King and at the time of its release was the most commercially
"It's the Hard Knock Life" is a song from the musical Annie [1] with music by Charles Strouse and lyrics by Martin Charnin. [ 2 ] [ 3 ] [ 4 ] The song is sung by the eponymous protagonist, together with her fellow orphan girls, and is about how the girls are treated by Miss Hannigan.
"Can I Get A..." is a song recorded by American rapper Jay-Z, featuring Ja Rule and Amil. It was released on Def Jam's Rush Hour Soundtrack in promotion of the film Rush Hour, but also appears on Jay-Z's third album Vol. 2... Hard Knock Life as its first single. The song is produced by Irv Gotti and Lil' Rob.
Producer The 45 King heavily sampled "It's the Hard-Knock Life" from the original Broadway cast recording on rapper Jay-Z's single "Hard Knock Life (Ghetto Anthem)" (1998). [78] The NFL Network produced two Super Bowl ads in 2004 and 2005 featuring "Tomorrow". A series of football celebrities who were retired or did not make it to that year's ...
Hard Knock Life may refer to: "It's the Hard Knock Life", a song from the musical Annie; Vol. 2... Hard Knock Life, a 1998 album by Jay-Z "Hard Knock Life (Ghetto Anthem)", a song from the album, which samples the showtune from Annie
Remixes and live versions of songs are listed as bullet points below the original song, ... Hard Knock Life, 1998) "Addicted To the Game" (2001) ... (Paid in Full ...
Chappell Roan 'Carpools' with parents in the Midwest. The "midwestern princess" herself opens the episode, welcoming Lowe to her native Missouri. The two drive through a classic American landscape ...
Life and Times of S. Carter is the fourth studio album by American rapper Jay-Z. It was released on December 28, 1999, by Roc-A-Fella Records and Def Jam Recordings . According to USA Today critic Steve Jones, the record marked a return to the street-oriented sound of Jay-Z's 1996 debut album, Reasonable Doubt . [ 1 ]