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42. Aria Gebt mir meinen Jesum wieder! (bass) 43. Mt 27:7–14, with Vox Christi and Pilate (bass) 44. ... Text and translation to English, Emmanuel music;
Meinen Jesum laß ich nicht: 6: Jesum laß' ich nicht von mir: 29 [b] four-part chorale Sebald Heyden: 1525: O Mensch, bewein dein Sünde groß: 1: O Mensch, bewein dein Sünde groß: 29 [c] cantus firmus in choral movement Adam Reusner: 1533: In dich hab ich gehoffet, Herr: 5: Mir hat die Welt trüglich gericht' 32: four-part chorale Paul ...
The cantata ends with a four-part setting of the chorale, "Meinen Jesum laß ich nicht, geh ihm ewig an der Seiten" (I will not let go of my Jesus, I will walk beside Him forever), [7] with a conjunct melody and active continuo line. [8] The last line is the same as the first, connecting to the beginning of the cantata. [7] [4]
Recitative (tenor): Wo treff ich meinen Jesum an; Chorale: Jesu, mein Hort und Erretter; Aria (alto, oboi d'amore, strings, no continuo): Jesu, laß dich finden; Arioso (bass): Wisset ihr nicht, daß ich sein muß; Recitative (tenor): Dies ist die Stimme meines Freundes; Aria (alto, tenor, oboi d'amore, strings): Wohl mir, Jesus ist gefunden
Meinen Jesum laß ich nicht (I will not let go of my Jesus), [1] BWV 124, is a church cantata written by Johann Sebastian Bach. He composed it in Leipzig for the first Sunday after the Epiphany and first performed it on 7 January 1725.
In a middle section, the angels are asked to open heavenly meadows, to see Jesus soon ("Kommt, ihr Engel, … Öffnet mir die Himmelsauen, meinen Jesum bald zu schauen"). [25] The German text of the aria and its English translation by Lucy Broadwood are as follows: [20]
" Meinen Jesum laß ich nicht" ("I shall not leave my Jesus") is a German Lutheran hymn, with lyrics by Christian Keimann written in 1658. The theme of the hymn is trust in Jesus , based on memorial sermons for John George I, Elector of Saxony recalling conversations of the elector with his minister on his deathbed.
Bach hints at the regular closing chorale by beginning the vocal part with an embellished version of the first line of the hymn "Meinen Jesum laß ich nicht" on a melody by Andreas Hammerschmidt [7] on the same words as the cantata text. The first line appears in four of five entries of the voice. [4]