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[5] He later allowed hymn-book compilers to alter the lyrics. For example, The Fellowship Hymn Book, with his permission, changed the phrase "one in hope and doctrine" to "one in hope and purpose." For the 1909 edition of Hymns Ancient and Modern, he changed the fifth line of the same verse from "We are not divided" to "Though divisions harass ...
The poem circulated privately for a few years until it was set to music by Holst, to a tune he adapted from his Jupiter to fit the poem's words. It was performed as a unison song with orchestra in the early 1920s, and it was finally published as a hymn in 1925/6 in the Songs of Praise hymnal (no. 188). [3] It was included in later hymnals ...
New Irish Hymns 3: Lyrics: How Good, How Pleasing (Hymn for Unity) 2005 Margaret Becker: New Irish Hymns 4 — I Am Still Willing: 2002 Kristyn Getty: Tapestry — Imagine: 2004 Kristyn Getty: New Irish Hymns 3: Review/Analysis: I'm Ready to Go Based on Matthew 28:18-20: 2005 Kristyn Getty: Songs That Jesus Said — In Christ Alone: 2001 Stuart ...
"Battlefield" was released digitally in the United States on May 8, 2009, as the album's lead single. "Battlefield" is a mid-tempo ballad which draws from the genres of pop, R&B, pop rock and soft rock. The song's lyrics revolve around "a tumultuous relationship where neither side wants to compromise."
This is a list of original Roman Catholic hymns. The list does not contain hymns originating from other Christian traditions despite occasional usage in Roman Catholic churches. The list has hymns in Latin and English.
The following lists contains all the hymns composed by Sankey that are found in the "1200" edition of Sacred Songs and Solos. Many of these hymns are also found in the six-volume collection, Gospel Hymns and Sacred Songs, which Sankey edited with Philip Bliss and others, which was published in the United States between 1876 and 1891. [1]
The words and music of this beautiful hymn were first published in a monthly entitled Guide to Holiness, a copy of which was sent to me in England. I immediately adopted it, and had it published in Sacred Songs and Solos. It proved to be one of the most helpful of the revival hymns, and was often used as an invitation hymn in England and ...
In an article in the Hymn Society Bulletin in 1994 Mervyn Horder, himself a hymn-tune composer, suggested that 'Sullivan almost certainly had a larger hand in St Clement than has been or can ever definitely be, credited to him.' His starting-point was the fact that this tune stands head and shoulders above the quality of Scholefield's other work.
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