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The Super Mario Bros. theme, officially known as the "Ground Theme" [a] [1] [2] is a musical theme originally heard in the first stage of the 1985 Nintendo Entertainment System (NES) video game Super Mario Bros.
Kazumi Totaka (戸高 一生, Totaka Kazumi, born August 23, 1967) [1] is a Japanese video game composer and sound director who is best known for his various compositions in many Nintendo games. He occasionally does voice acting as well, most notably voicing Yoshi from the Mario series.
The Super Mario Bros. Movie (Original Motion Picture Soundtrack) is the soundtrack to the 2023 film of the same name, based on Nintendo's Mario video game franchise. The original score for the film is composed by Brian Tyler, who incorporated and remixed the original themes from longtime Mario composer Koji Kondo under his collaboration.
Koji Kondo (Japanese: 近藤 浩治, Hepburn: Kondō Kōji, born August 13, 1961) is a Japanese composer and senior executive at the video game company Nintendo.He is best known for his contributions for the Super Mario and The Legend of Zelda series, with his Super Mario Bros. theme being the first piece of music from a video game included in the American National Recording Registry.
Wyland echoes this advice, adding, “You must check the controls, sounds, and gameplay. Nonfunctional arcade games are expensive to repair, so verifying their operational status becomes essential.”
Mario Party [a] is a series of party video games created by Hudson Soft and owned by Nintendo.It features characters from the Mario franchise in which up to four local players or computer-controlled characters (called "CPUs") compete in a board game interspersed with minigames.
Repeat sign. Repetition is important in music, where sounds or sequences are often repeated. It may be called restatement, such as the restatement of a theme.While it plays a role in all music, with noise and musical tones lying along a spectrum from irregular to periodic sounds, it is especially prominent in specific styles.
In music, a loop is a repeating section of sound material. Short sections can be repeated to create ostinato patterns. Longer sections can also be repeated: for example, a player might loop what they play on an entire verse of a song in order to then play along with it, accompanying themselves.