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Two-Face in Detective Comics #66. Art by Bob Kane. Two-Face was created by Batman co-creator Bob Kane, [1] and debuted in Detective Comics #66 ("The Crimes of Two-Face"), written by Batman's other co-creator Bill Finger, in August 1942 as a new Batman villain originally named Harvey "Apollo" Kent, a handsome, law-abiding former Gotham City district attorney close to the Batman.
The Harvey Dent incarnation of Two-Face appears as a mini-boss, optional boss, and unlockable playable character in Lego Batman 2: DC Super Heroes, voiced by Troy Baker. The Dark Knight incarnation of Harvey Dent / Two-Face appears as a playable character in Lego Batman 3: Beyond Gotham via The Dark Knight DLC pack. This version possesses ...
Gilda Dent (née Gold), occasionally referred to as Grace, is a fictional character who has appeared in Batman comic books since Detective Comics #66 (August 1942). Associated with her fiancé (later husband) Harvey Dent, who becomes the criminal mastermind Two-Face, she has since been a recurring character throughout various Batman stories involving him. [1]
In the movie’s only overt nod to the comic books, in which Dent becomes Batman enemy Two-Face, the character is seen crumpled and dazed following the explosion with the left side of his face ...
Now we have Harvey Dent. We have all these characters that will be featured in Todd Phillips’ upcoming sequel “Joker: Folie à Deux,” as revealed in new footage released by Warner Bros. on ...
Harvey Dent / Two-Face (voiced by Christopher McDonald) is a district attorney who is obsessed with bringing Batman down. He eventually gains his own assault squad and is shown to be very deceptive. Following an accident where his head is covered in bandages, Harvey Dent's bad side starts to surface where he becomes Two-Face.
Two-Face: Year One is a two-part miniseries released by DC Comics. [1] It was released in July 2008 to coincide with The Dark Knight , although it is set in the comics' continuity and not the film's.
Jerry Seinfeld walked back his claim that the political correctness of the “extreme left” ruined comedy ― and he did it with a skiing metaphor. (Not that there’s anything wrong with that.)