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Where art historian José Camón Aznar had attributed between 787 and 829 paintings to El Greco, Wethey reduced the number to 285 authentic works. Halldor Sœhner, a German researcher of Spanish art, recognized only 137. [7] Both Wethey and Sœhner divided in their catalogues the works in those painted by El Greco and those produced by his ...
Doménikos Theotokópoulos (Greek: Δομήνικος Θεοτοκόπουλος, IPA: [ðoˈminikos θeotoˈkopulos]; 1 October 1541 – 7 April 1614), [2] most widely known as El Greco (Spanish pronunciation: [el ˈɡɾeko]; "The Greek"), was a Greek painter, sculptor and architect of the Spanish Renaissance.
El Greco's altarpieces are renowned for their dynamic compositions and startling innovations. Art historian Max Dvořák was the first scholar to connect El Greco's art with Mannerism and Antinaturalism. [34] Modern scholars characterize El Greco's theory as "typically Mannerist" and pinpoint its sources in the Neoplatonism of the Renaissance. [35]
Paintings by Doménicos Theotokópoulos (Greek: Δομήνικος Θεοτοκόπουλος), called El Greco ("the Greek", 1541 – April 7, 1614), a Greek-born painter who worked in Crete, Italy and Spain
Christ Carrying the Cross is an oil painting by El Greco, produced early in his Toledo period circa de 1580. [1] The picture depicts Christ in a moment of personal reflection as he carries the cross to his death, therefore committing the ultimate sacrifice for humankind.
Christ Driving the Money Changers from the Temple is a painting by El Greco, from 1568, now in the National Gallery of Art in Washington, D.C., in the United States. [1] It depicts the Cleansing of the Temple, an event in the Life of Christ.
Adoration of the Holy Name of Jesus is a 1577-1579 oil on canvas painting by El Greco, produced early in his Toledo period and now [when?] in exhibition at the Galerias Reales in Madrid. It is also known in modern scholarship as La Gloria, The Dream of Philip II or Allegory of the Holy League.
The painting is a work which the artist made to hang over his own tomb in the convent of Santo Domingo el Antiguo in Toledo. [1] His signature, in Greek, may be seen in the lower left corner. [2] El Greco's remains were transferred to another church after a few years, but the painting remained at Santo Domingo until the 20th century.
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