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Native American jewelry can be made from naturally occurring materials such as various metals, hardwoods, vegetal fibers, or precious and semi-precious gemstones; animal materials such as teeth, bones and hide; or man-made materials like beadwork and quillwork. Metalsmiths, beaders, carvers, and lapidaries combine these materials to create jewelry.
Native American beadwork, already established via the use of materials like shells, dendrite, claws, and bone, evolved to incorporate glass beads as Europeans brought them to the Americas beginning in the early 17th century. [20] [21] Native beadwork today heavily utilizes small glass beads, but artists also continue to use traditionally ...
Martha Berry is a Cherokee beadwork artist, who has been highly influential in reviving traditional Cherokee and Southeastern beadwork, particularly techniques from the pre-Removal period. She has been recognized as a Cherokee National Treasure and is the recipient of the Seven Star Award and the Tradition Bearer Award.
Bird hand-cuts and finishes each individual bead and piece of stone inlay for her works, and is well known for her mosaic inlay objects and jewelry. [2] Her work has been exhibited at the Smithsonian Institution National Museum of the American Indian, [3] Santa Fe Indian Market, [4] and at several museum venues. Bird has won several awards for ...
An example of a historical beaded Absáalooke (Crow) quiver, c.1800. Not Afraid is self-taught. [5] He began making beaded jewelry when he was twelve years old and living in Lodge Grass. He taught himself how to bead using two needles by reverse engineering the beadwork on a pair of leggings his great-grandmother, Joy Yellowtail, had made. Not ...
Wampum is a traditional shell bead of the Eastern Woodlands tribes of Native Americans. It includes white shell beads hand-fashioned from the North Atlantic channeled whelk shell and white and purple beads made from the quahog or Western North Atlantic hard-shelled clam.
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