Search results
Results from the WOW.Com Content Network
Socrates offers four arguments for the soul's immortality: The Cyclical Argument, or Opposites Argument explains that Forms are eternal and unchanging, and as the soul always brings life, then it must not die, and is necessarily "imperishable". As the body is mortal and is subject to physical death, the soul must be its indestructible opposite.
The discussion of rhetoric, the proper practice of which is found to actually be philosophy, has many similarities with Socrates's role as a "midwife of the soul" in the Theaetetus; the dialectician, as described, is particularly resonant. To practice the art, one must have a grasp of the truth and a detailed understanding of the soul in order ...
Socrates gently berates the rhapsode for being Protean, which after all, is exactly what a rhapsode is: a man who is convincingly capable of being different people on stage. Through his character Socrates, Plato argues that "Ion’s talent as an interpreter cannot be an art, a definable body of knowledge or an ordered system of skills," but ...
Socrates adds that he has heard this myth, believes it, and infers from it that death is the separation of body and soul. He says that each retains after death the qualities it had in life, so that a fat, long-haired man will have a fat, long-haired corpse.
The Charmides (/ ˈ k ɑːr m ɪ d iː z /; ‹See Tfd› Greek: Χαρμίδης) is a dialogue of Plato, in which Socrates engages a handsome and popular boy named Charmides in a conversation about the meaning of sophrosyne, a Greek word usually translated into English as "temperance," "self-control," or "restraint."
The portrayal of Socrates in the Symposium (for instance his refusal to give in to Alcibiades' sexual advances) is consistent with the account of Socrates put forward by Xenophon, who also wrote his own Symposium, and the theories that Socrates defends throughout the Platonic corpus. Plato shows off his master as a man of high moral standards ...
The soul searches in the world of its memories and imaginations for pleasure. Such striving manifests as desire for something. Desire is always a striving for the opposite of the current state; emptiness calls for the need for fullness. One must already know the opposite in order to desire it. Only the soul is capable of this, for only it has ...
The Second Alcibiades or Alcibiades II (Greek: Ἀλκιβιάδης βʹ) is a dialogue traditionally ascribed to Plato.In it, Socrates attempts to persuade Alcibiades that it is unsafe for him to pray to the gods if he does not know whether what he prays for is actually good or bad for him.