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Live Aid was a multi-venue benefit concert and music-based fundraising initiative held on Saturday, 13 July 1985. The original event was organised by Bob Geldof and Midge Ure to raise further funds for relief of the 1983–1985 famine in Ethiopia, a movement that started with the release of the successful charity single "Do They Know It's Christmas?" in December 1984.
On this day in 1985, a worldwide rock concert dubbed 'Live Aid' was organized to raise money for the relief of famine-stricken Africans at Wembley Stadium in London. According to History.com, the ...
The Seriously, Live! World Tour. The No Jacket Required World Tour was a concert tour by the English drummer, singer and songwriter Phil Collins, which occurred February–July 1985 in support of his 1985 album, No Jacket Required. The album had been a massive international success and the tour concluded with Collins performing "Against All ...
Two INXS songs from the BBC broadcast are contained on Live Aid's four DVD boxed set released in 2004. [7] About 11,000 spectators paid $18.50 each, in order to see Oz for Africa. The concert and telethon, and the associated Sport Aid Oz, raised ten million Australian dollars for the International Disaster Emergency Committee in Australia.
The legendary Live Aid concerts 35 years ago did a lot of good — helping reduce African famine and putting a spotlight on the world’s poorest nations. Irish rock star Bob Geldof may have ...
Freddie Mercury (born Farrokh Bulsara; 5 September 1946 – 24 November 1991) [2] was a British singer and songwriter who achieved worldwide fame as the lead vocalist and pianist of the rock band Queen. Regarded as one of the greatest singers in the history of rock music, he was known for his flamboyant stage persona and four- octave vocal range.
The 1982 Squier bass played by Cross at the Live Aid concert is expected to fetch in excess of £4,000. Auctioneer Luke Hobbs said: “Chris’s collection connects to some of the most iconic ...
Meaning. "Radio Ga Ga" was released in 1984. A nostalgic defence of radio, it was a commentary on television overtaking radio's popularity and how one would listen to radio in the past for a favourite comedy, drama, or science fiction programme. [7] It also addressed the advent of the music video and MTV, which was then competing with radio as ...