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The hymn "When I Survey the Wondrous Cross" was written by Isaac Watts, and published in Hymns and Spiritual Songs in 1707. It is significant for being an innovative departure from the early English hymn style of only using paraphrased biblical texts, although the first couplet of the second verse paraphrases Galatians 6:14a and the second couplet of the fourth verse paraphrases Gal. 6:14b.
Kathryn Sarah Scott (born 29 September 1974) [1] is a contemporary worship music songwriter and worship leader from Northern Ireland. She has written songs such as ...
Kathryn Scott: Kathryn Scott: Be the Centre Michael Frye Michael Frye and Kathryn Scott: All Creation Brian Doerksen and Steve Mitchinson Brian Doerksen: The Rhythm of Heaven Peter Eckley and Nigel Hemming: Kathryn Scott: I Surrender Wendy O'Connell Wendy O'Connell Only You Matt Hyam Brenton Brown: Refuge in You Bob Stratton, Brenton Brown and ...
3. Well-known hymnists with pages of their own pretty much deserve to have their best-known, best-loved hymn in the Wiki. Now, obviously, there's an issue of taste here, but I would suggest that "When I survey" is certainly a strong contender for that place. In opposition to point 3, I accept that, for instance, Joy to the World has an article.
performed by Kathryn Scott; from Hungry, released 1999-03-01; live recording from Elliot School Auditorium, Putney, London Borough of Wandsworth, London, Greater London, England, United Kingdom "Agnus Dei" written by Michael W. Smith; performed by Charlie Hall and The Passion Worship Band; from Passion: Better Is One Day, released 2000-03-14
Katherine, Katharine, or Kathryn Scott may refer to: Katherine Marbury Scott (died 1687), Quaker advocate and colonist of the Massachusetts Bay Colony; Kathryn Scott, pseudonym used by the American composer and flutist Katherine Hoover (1937–2018) Kathryn Leigh Scott (born 1943), American actress and writer; Katie Scott (born 1958), British ...
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The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...