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A diastase (/ ˈ d aɪ ə s t eɪ z /; from Greek διάστασις, "separation") is any one of a group of enzymes that catalyses the breakdown of starch into maltose.For example, the diastase α-amylase degrades starch to a mixture of the disaccharide maltose; the trisaccharide maltotriose, which contains three α (1-4)-linked glucose residues; and oligosaccharides, known as dextrins, that ...
Other manifestations were: melancholy of an aristocratic type, precocious apathy, discouragement without cause, distaste for living. The will seemed paralyzed by the contemplation of life's struggle. The will seemed paralyzed by the contemplation of life's struggle.
A further way to categorize forms of misanthropy is in relation to the type of attitude involved toward humanity. In this regard, philosopher Toby Svoboda distinguishes the attitudes of dislike, hate, contempt, and judgment. A misanthrope based on dislike harbors a distaste in the form of negative feelings toward other people. [13]
The synonyms for unchastity in the Thesaurus fill 140 lines, occupying exactly four times as much space as those for chastity. For unchaste woman, 34 synonyms are listed; for unchaste man, 24. No synonyms at all are given for chaste woman and chaste man." [6] References to bodily excretions are often used in dysphemisms.
Disgust (Middle French: desgouster, from Latin gustus, ' taste ') is an emotional response of rejection or revulsion to something potentially contagious [1] or something considered offensive, distasteful or unpleasant.
Papyrus, dated 75–125 A.D. describing one of the oldest diagrams of Euclid's Elements Ἀεὶ ὁ θεὸς γεωμετρεῖ. Aeì ho theòs geōmetreî. "God always geometrizes."
Their "distaste for bishops who had collaborated" [6] with Rome came out of their broader view of the empire. [ citation needed ] Held out as a counterexample to the traditors was the venerated Saint Vincent of Saragossa who preferred to suffer martyrdom rather than agree to consign Scripture to the fire.
Distaste for sexual impropriety long kept Restoration comedy off the stage, locked in a critical poison cupboard. Victorian critics like William Hazlitt, though valuing the linguistic energy and "strength" of the canonical writers Etherege, Wycherley and Congreve, found it necessary to temper aesthetic praise with heavy moral condemnation ...