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Films About Ghosts (The Best of...) is a compilation album by American rock band Counting Crows. It was released by Geffen Records on November 2, 2003. The album contains songs from their first four studio albums. The album takes its name from a line in "Mrs. Potter's Lullaby": "If dreams are like movies, then memories are films about ghosts."
"She Don't Want Nobody Near" is a single by American rock band Counting Crows from their greatest hits album, Films About Ghosts (The Best Of...). The song bases itself around the double negative of the title, and is a song about a girl who wants people around her.
"American Girls" is a single by American rock band Counting Crows. It is the second track on their fourth studio album, Hard Candy (2002), and features Sheryl Crow on backing vocals. The song was released on May 13, 2002, and reached number one on the US Billboard Triple-A chart.
Four Counting Crows songs across four albums namecheck specific streets, all of them located in lower Manhattan. ... another Maria, a circus, a ghost, sleeping, and Hollywood. “Palisades Park ...
Although the song charted only in the United States, it ranked at number 47 on the Australian Triple J Hottest 100 for 1994, one position above "Mr. Jones". [1] The song was later included on Counting Crows' best-of compilation, Films About Ghosts (The Best Of...), in 2003.
It should only contain pages that are Counting Crows songs or lists of Counting Crows songs, as well as subcategories containing those things (themselves set categories). Topics about Counting Crows songs in general should be placed in relevant topic categories .
"I feel honored that my song Mr. Jones was part of the inspiration for the name 'Generation Jones'." [9] The song incorporates two different keys, as demonstrated by verses being written in A minor with a chord structure of Am-F-Dm-G-Am-F-G before transitioning into C major in the chorus and a new chord
"Angels of the Silences" is a song by American alternative rock band Counting Crows. It is the lead single and second track from their second album, Recovering the Satellites (1996). The song peaked at number three on the US Billboard Modern Rock Tracks chart, making it the highest-placing single from the album.