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"Concerning Hobbits" is a piece by composer Howard Shore derived from The Lord of the Rings: The Fellowship of the Ring soundtrack.It is a concert suite of the music of the Hobbits, arranged from the music heard in the film during the early Shire scenes, and features the various themes and leitmotifs composed for the Shire and Hobbits; it is intended to evoke feelings of peace. [1]
The series music became the most successful of Shore's career, earning three Oscars, two Golden Globes, and three Grammys, among other nominations. Some of his themes or leitmotifs (like the Shire theme) became individually popular. The music has attracted the interest of musicologists and Tolkien scholars. It is performed by choirs and ...
The music of The Hobbit film series is composed, orchestrated, and produced by Howard Shore, who scored all three The Lord of the Rings films, to which The Hobbit film trilogy is a prequel series. It continues the style of The Lord of the Rings score, using a vast ensemble, multiple musical forms and styles, many leitmotifs, and unusual ...
The music on the album features edited-down compositions and is presented in chronological order as heard in the theatrical film, with the exception of some cues in "Amon Hen" and the end credits mix from "The Breaking of the Fellowship". Some cues are based on earlier drafts of the composition, written as the film was being edited.
The tin whistle in its modern form is from a wider family of fipple flutes which have been seen in many forms and cultures throughout the world. [2] In Europe, such instruments have a long and distinguished history and take various forms, of which the most widely known are the recorder, tin whistle, Flabiol, Txistu and tabor pipe.
Shore wrote the music for Canadian magician Doug Henning's magic musical Spellbound in 1974 and, from 1975 to 1980, he was the musical director for Michaels' influential late-night NBC sketch comedy show Saturday Night Live, [11] appearing in many musical sketches, including Howard Shore and His All-Nurse Band, and dressed as a beekeeper for a ...
The musicologist Doug Adams comments that "Like all Shore's music for the hobbits, this song is designed to feel as if it could be both about the Shire and from it—as if it were some sweetly nostalgic song sung at the closing of the Green Dragon [Inn] each night." [2]
Symphony No. 1 The Lord of the Rings is the first symphony for concert band written by Johan de Meij, and one of several works of classical music based on J. R. R. Tolkien's fantasy The Lord of the Rings. It premiered in 1988 with the Groot Harmonieorkest van de Belgische Gidsen conducted by Norbert Nozy.
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