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Purgatorio (Italian: [purɡaˈtɔːrjo]; Italian for "Purgatory") is the second part of Dante's Divine Comedy, following the Inferno and preceding the Paradiso. The poem was written in the early 14th century.
Purgatorio: Blank verse: 2000: A. S. Kline: United States Poetry in translation: Comedy: Prose: 2000–2007: Jean Hollander and Robert Hollander: United States Anchor Books: Comedy: Free verse [33] Known for its extensive scholarly notes; the full text is over 600 pages. [34] The Hollanders were given a Gold Florin award from the city of ...
Jack ends up wearing Dante Alighieri's red robe while unsuccessfully attempting to escape Inferno after rejecting Virg's advice to follow him into Purgatorio, the only safe way of reaching the destination of Paradiso. [102] The 2020 film Friend of the World references The Divine Comedy and begins with a direct quote by Dante Alighieri. [103]
Of the books, Purgatorio is arguably the most lyrical of the three, referring to more contemporary poets and artists than Inferno; Paradiso is the most heavily theological, and the one in which, many scholars have argued, the Divine Comedy 's most beautiful and mystic passages appear.
Robert B. Hollander Jr. [a] (July 31, 1933 – April 20, 2021) was an American academic and translator, most widely known for his work on Dante Alighieri and Giovanni Boccaccio. He was described by a department chair at Princeton University as "a pioneer in the creation of digital resources for the study of literature" for his work on the ...
Dante, poised between the mountain of purgatory and the city of Florence, a detail of a painting by Domenico di Michelino, Florence 1465.. The Divine Comedy by Dante Alighieri is a long allegorical poem in three parts (or canticas): the Inferno (), Purgatorio (), and Paradiso (), and 100 cantos, with the Inferno having 34, Purgatorio having 33, and Paradiso having 33 cantos.
Le Goff dedicates the final chapter of his book to the Purgatorio, the second canticle of the Divine Comedy, a poem by fourteenth-century Italian author Dante Alighieri. In an interview Le Goff declared: "Dante's Purgatorio represents the sublime conclusion of the slow development of Purgatory that took place in the course of the Middle Ages ...
So far as we have authentic facts about his life, Sordello was the most famous of the Italian troubadours. His didactic poem L’ensenhamen d’onor, and his love songs and satirical pieces have little in common with Dante's presentation, but the invective against negligent princes which Dante puts into his mouth in the 7th canto of the Purgatorio is more adequately paralleled in his sirventes ...