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Sixteen Waltzes (German; Sechzehn Walzer), Op. 39, is a set of 16 short waltzes for piano written by Johannes Brahms. They were composed in 1865, and published in 1866, dedicated to the music critic Eduard Hanslick .
Clara Schumann was enthusiastic and asked him to send the remaining pieces of his new work. The words ‘melancholy’ and ‘with pleasure’ aptly describe the atmosphere evoked by the falling suspended arpeggios that open the piece. The middle section (bars 17–46) is in the relative key of D major, while the recapitulation returns to B minor.
Op. 15 Piano Concerto No. 1 in D minor : piano, orchestra 1854–58 original version as Sonata for Two Pianos 1854 (Mvts 2 & 3 are Anh. 2a/2) (discarded), 2nd version as Symphony in D minor in 4 mvts (4th mvt never written) 1854–55 (Mvts 2 & 3 are Anh. 2a/2) (discarded), final version (Piano Concerto) in 3 mvts (only 1st mvt from previous versions, 2nd & 3rd mvts new) 1855–58;
In fact, apart from Nos. 7 and 8, the first series (Op. 10) is made of couples of études in a major key and its relative minor (the major key either preceding the minor key or following it) with none of the tonalities occurring twice (except for C major, which appears in No. 1 and then in the only couple which is not major-minor, i.e. Nos. 7 ...
This work has been attributed to Chopin, but is generally considered spurious. Variations on a Ukrainian Dumka by Antoni Radziwill Violin and piano 1830 KK. VIIa/3 Lost Waltz E-flat major 1826-1827 1902 B. 46 KK. Iva/14 P. 1/14 Manuscript lost Waltz (Valse mélancolique) F-sharp minor 1838 1932 KK Ib/7 A 1/7 Spurious Waltz C major 1824 KK. Vb/8 ...
Major/minor compositions are musical compositions that begin in a major key and end in a minor key (generally the parallel minor), specifying the keynote (as C major/minor). This is a very unusual form in tonal music, [ 1 ] [ 2 ] although examples became more common in the nineteenth century. [ 3 ]
His compositions for piano, written between the 1860s and the 1920s, [n 1] include some of his best-known works. Fauré's major sets of piano works are thirteen nocturnes, thirteen barcarolles, six impromptus, and four valses-caprices. These sets were composed during several decades in his long career, and display the change in his style from ...
Waltz 4B erupts in joy for a brief section and proceeding to repeat waltz 4A. Waltz 5A is the climax of the work, in E-flat major and is punctuated with the brass instruments, particularly the trombones. A more peaceful-sounding [citation needed] waltz 5B is played but the brash 5A makes another appearance. A tense coda would be quickly ...
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