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The audio purpose is to deliver a clean, unaltered instrument signal to a mixing console or recording device, where it may be processed using other devices (equalization, compression, modulation, reverberation, etc.) to meet the needs of the audio production. Without a direct box, an instrument or microphone needs to be connected to an ...
Line out provides an audio signal output and line in receives a signal input. The line in/out connections on consumer-oriented audio equipment are typically unbalanced , with a 3.5 mm (0.14 inch, but commonly called "eighth inch") 3-conductor TRS minijack connector providing ground, left channel, and right channel, or stereo RCA jacks .
ORTF setup. The ORTF stereo technique, also known as side-other-side, is a microphone technique used to record stereo sound.It was devised around 1960 at the now-defunct Office de Radiodiffusion Télévision Française (ORTF).
Situational circumstances: Sometimes a microphone should not be visible, or having a microphone nearby is not appropriate. In scenes for a movie the microphone may be held above, out of the picture frame. Processing: If the signal is destined to be heavily processed, or mixed down, a different type of input may be required.
Block diagram of the signal-flow for a common feedback loop [1]: 118 . Audio feedback (also known as acoustic feedback, simply as feedback) is a positive feedback situation that may occur when an acoustic path exists between an audio output (for example, a loudspeaker) and its audio input (for example, a microphone or guitar pickup).
Audio signal flow is the path an audio signal takes from source to output. [1] The concept of audio signal flow is closely related to the concept of audio gain staging; each component in the signal flow can be thought of as a gain stage. In typical home stereo systems, the signal flow is usually short and simple, with only a few components.
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The microphone's output is usually low-pass filtered. [25] [28] A simple surround microphone configuration involves the use of a front array in combination with two backward-facing omnidirectional room microphones placed about 10–15 meters away from the front array. If echoes are notable, the front array can be delayed appropriately.
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