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Joseph Rael (Tiwa: Tslew-teh-koyeh: "Beautiful Painted Arrow") (b. 1935) is a Native American ceremonial dancer, shaman, writer, and artist. He is also known as the founder of a global network of Sound Peace Chambers.
The role of music in Korean shamanism seems intermediary between the possession trance model and the Siberian model: in the Kut ritual, the music, played by musicians, first calls on the god to possess the mudang (shaman), then accompanies the god during their time in the shaman's body, then sends back and placates the god at the end. [26]
The shaman performs various rituals and ceremonies and helps with civil disputes. The role of shaman is primarily inherited by a son or a grandson due to the fact they are already in possession of the drums and tools needed. Not everyone can be a shaman, but if one has the ability to become a shaman one is almost always forced into it.
At summertime social powwows and spiritual ceremonies throughout the Upper Midwest, Native Americans are gathering around singers seated at big, resonant drums to dance, celebrate and connect with ...
Northern Cree, also known as the Northern Cree Singers, is a powwow and Round Dance drum and singing group based in Maskwacis, [1] [2] Alberta, Canada. [3] Formed in 1980 (or 1982 [4]) by Randy Wood, [1] [2] with brothers Charlie and Earl Wood of the Saddle Lake Cree Nation (Plains Indian music), members originate from the Treaty 6 area.
Peyote songs began with the blend of the Ute music style with Navajo singing. [1] Ed Tiendle Yeahquo composed over 120 peyote songs, many are still sung in NAC today. Vocal style, melodic contour, and rhythm in Peyote songs is closer to Apache than Plains, featuring only two durational values, predominating thirds and fifths of Apache music with the tile-type melodic contour, incomplete ...
Shamanic drumming is generally simple and repetitive, often considered as a form of prayer or method of trance induction, rather than as music or entertainment. During a shamanic trance or shamanic journey, the shaman uses the steady beat of the drum as a "lifeline" to find the way back to the world of ordinary consciousness.
The Black Lodge Singers won the Native American Music Awards of several occasions, including 1998 Best Powwow Album, 2000 Debut Group, and 2004 Best Powwow Music. [1] In collaboration with R. Carlos Nakai and William Eaton, they were nominated for the 1994 Grammy Award for Best Traditional Folk Album for Ancestral Voices.
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