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Pages in category "Rhythm and blues compilation albums" The following 34 pages are in this category, out of 34 total. This list may not reflect recent changes .
This is a list of rhythm and blues music discographies. Discographies of contemporary R&B artists should be listed under Category:Contemporary R&B discographies . See also: Category:Rhythm and blues albums
Rhythm, Country and Blues (a.k.a. Rhythm Country and Blues) is an album featuring duets between R&B and country music artists on classic songs. It was released by MCA Records on March 1, 1994. The album debuted at #1 on Top Country Albums and #15 on Top R&B/Hip-Hop Albums charts. [ 2 ]
The Inaugural Rhythm & Blues Music Hall of Fame Induction Ceremony was held on August 17, 2013 at the Waetjen Auditorium at Cleveland State University in Cleveland. [11] The first class of inductees included recording acts The Supremes, The Temptations, The Marvelettes, The O'Jays, [9] Martha & The Vandellas (Martha Reeves, Rosalind Holmes, and Annette Helton), The Dramatics, Ruby & The ...
William James Dixon (July 1, 1915 – January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. [1] He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time.
Billboard Top R&B Records of 1959 is the year-end chart compiled by Billboard magazine ranking the top rhythm and blues singles of 1959. [1] Due to the extent of cross-over between the R&B and pop charts in 1959, the song's rank, if any, in the year-end pop chart is also provided.
In several of his early recordings, Professor Longhair blended Afro-Cuban rhythms with rhythm and blues. The most explicit is 'Longhair's Blues Rhumba', where he overlays a straightforward blues with a clave rhythm." [28] The guajeo-like piano part for the rumba-boogie "Mardi Gras in New Orleans" (1949) employs the 2-3 clave onbeat/offbeat ...
Although Charles' fabled blues-gospel synthesis is on display from 'I Got a Woman' to 'I Believe to My Soul,' 'birth of soul' gets the emphasis wrong. Seldom conventionally catchy, this Robert Palmer -annotated collection epitomizes a world-historic catchall of a genre that Charles could only describe as 'genuine down-to-earth Negro music ...
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