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John Beasly Greene's photo of the Abu Simbel temples, 1854 Bandit's Roost (1914) by Jacob Riis. The term document applied to photography antedates the mode or genre itself. . Photographs meant to accurately describe otherwise unknown, hidden, forbidden, or difficult-to-access places or circumstances date to the earliest daguerreotype and calotype "surveys" of the ruins of the Near East, Egypt ...
Laura Pannack (born 1985) [1] is a British social documentary and portrait photographer, based in London. Her work is often of children and teenagers. Pannack received first place in the World Press Photo Awards in 2010, the Vic Odden Award from the Royal Photographic Society in 2012, and won the Portfolio category in the Sony World Photography Awards in 2021.
Download as PDF; Printable version; In other projects Wikidata item; Appearance. move to sidebar hide. ... Documentary photographers (1 C, 182 P) Photojournalism (8 C ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 25 January 2025. Art and practice of creating images by recording light For other uses, see Photography (disambiguation). Photography of Sierra Nevada Photography is the art, application, and practice of creating images by recording light, either electronically by means of an image sensor, or chemically ...
Social documentary photography or concerned photography is the recording of what the world looks like, with a social and/or environmental focus. It is a form of documentary photography, with the aim to draw the public's attention to ongoing social issues. It may also refer to a socially critical genre of photography dedicated to showing the ...
[2] Rodero joined Magnum Photos in 2005 and became a full member in 2009. [ 3 ] In an Extraordinary Plenary Session held by the Royal Academy of Fine Arts of San Fernando on Monday, February 18, 2013, she was elected as a Full Academician for the Section of New Image Arts, occupying the vacant Medal held by Luis García Berlanga.
Photography was not only prohibited but also posed a serious threat to the industry. [5] To gain entry to the mills, mines and factories, Hine was forced to assume many guises. At times he was a fire inspector, postcard vendor, bible salesman, or even an industrial photographer making a record of factory machinery.
His 'Mirror' analogy represents self-reflective photography, represented in the book by Jerry Uelsmann, Paul Caponigro, Ralph Gibson, Duane Michals, Judy Dater and others; while the idea of the 'Window' is found in the documentary approach, exemplified by inclusions of work by Diane Arbus, Lee Friedlander, Henry Wessel, Joel Meyerowitz, and ...