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John Wayne's first starring role in a movie. Still survives in widescreen and is available on DVD. The Bat Whispers: 1930 BW United Artists: Still survives in fullscreen and widescreen versions. The Great Meadow: 1931 BW MGM: Unknown if it was released in widescreen due to the decline of widescreen to the movie going public. Also unknown to ...
Widescreen images are displayed within a set of aspect ratios (relationship of image width to height) used in film, television and computer screens. In film, a widescreen film is any film image with a width-to-height aspect ratio greater than 4:3 (1.33:1). For TV, the original screen ratio for broadcasts was in 4:3 (1.33:1).
Original Cinerama screen in the Bellevue Cinerama, Amsterdam (1965–2005) 17-meter curved screen removed in 1978 for 15-meter normal screen. [1]Cinerama is a widescreen process that originally projected images simultaneously from three synchronized 35mm projectors onto a huge, deeply curved screen, subtending 146-degrees of arc.
CinemaScope logo from The High and the Mighty (1954). CinemaScope is an anamorphic lens series used, from 1953 [1] to 1967, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter.
Both versions survive, and differ significantly in composition, staging and editing. When the film was released on October 2, 1930, the only theaters equipped with the Grandeur projectors and wide screen were Grauman's Chinese Theater in Los Angeles and the Roxy Theatre in New York City.
First known film is the first film (not including tests) made with the format and intended for release. Negative gauge is the film gauge (width) used for the original camera negative. Negative aspect ratio is the image ratio determined by the ratio of the gate dimensions multiplied by the anamorphic power of the camera lenses (1× in the case ...
A triptych scene of Napoleon (1927), showing its two vertical seams.. Polyvision was the name given by the French film critic Émile Vuillermoz to a specialized widescreen film format devised exclusively for the filming and projection of Abel Gance's 1927 film Napoleon, its three-projector format predating Cinerama by 25 years.
These early wide film processes employed a number of different frame sizes and perforations per frame. Films made by American Mutoscope and Biograph (US 1895) a) 62 mm, 1.36:1, 6 perf. - b) 2 7/8 inch, 1.19:1; Films made by Demeny-Gaumont (France 1895) - Chronophotographe, 60 mm, 1.22:1, 4 perf.