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The painting was investigated by scientists at the Rochester Institute of Technology and the Museum of Modern Art in New York. [85] The pigment analysis has shown that the sky was painted with ultramarine and cobalt blue, and for the stars and the moon, Van Gogh employed the rare pigment indian yellow together with zinc yellow. [86]
Giotto depicts night and heaven through the use of a deep blue background in the fresco panel and use of stars in the otherwise blue ceiling. [ 14 ] : 383 [ 15 ] He was able to create depth and dimension through the use of incremental degrees of light and dark shades, the precursor to chiaroscuro .
Landscape with a realistic sky by Albrecht Altdorfer 1528. (Alte Pinakothek.) In Albrecht Altdorfer's The Battle of Alexander at Issus, one of the most famous paintings produced by the Danube School, a composition similar to Vädersolstavlan renders the battle scene in a detailed landscape under a sky crowded with celestial symbols and messages.
The night sky and the effects of light at night provided the subject for some of van Gogh's more famous paintings, including Café Terrace at Night (painted earlier the same month) and the June, 1889, canvas from Saint-Remy, The Starry Night. A sketch of the painting is included in a letter van Gogh sent to his friend Eugène Boch on 2 October ...
The Mont-Saint-Michel Island, depicted in the famous painting of the same name by James Webb in 1857, is a famous tourist destination. Its history dates back to the 8th century. Bishop Aubert ...
Sky with Flat White Cloud, also known as Sky above White Clouds I, [29] is an abstract, 1962 painting that was inspired by O'Keeffe's trip to Egypt in the spring of that year. The canvas is horizontal, showing blue and green stripes of color (the sky) at the top, while two-thirds of the portion below (the clouds) is white.
He began to use the color blue to represent the divine. In both The Starry Night and his olive tree paintings, van Gogh used the intense blue of the sky to symbolize the "divine and infinite presence" of Jesus. Seeking a "modern artistic language" to represent the divine, he sought a numinous quality in many of his olive tree paintings, such as ...
The gables of the houses on a street that leads away under the blue sky studded with stars are dark blue or violet, with a green tree. Now there's a painting of night without black. With nothing but beautiful blue, violet and green, and in these surroundings the lighted square is coloured pale sulphur, lemon green.
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