Search results
Results from the WOW.Com Content Network
Boston's website says the song is about "the power an old song can have in your life", [18] with Scholz elaborating that "it was sort of a bittersweet ballad." [19] Ultimate Classic Rock critic Michael Gallucci points out that this is a common theme in Boston songs. [20]
The styles of Boston have been categorized as hard rock and arena rock (though the latter had yet to have been coined at the time of the album's release). The tracks are described as "anthemic" and make use of layered melodies and vocal harmonies. [16] Boston is composed mainly of songs written many years before their appearance on the album. [10]
I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression, also known as the four-chord progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale.
Paul Elliott of TeamRock.com rated it Boston's 8th greatest song. [6] Elliott said that this song along with "Still in Love" are "two great AOR songs in one." [14] Philip Booth of the Lakeland Ledger praises the song's "a cappella vocal opening." [15] Tom Alesia of The Wisconsin State Journal regards the song's title as Boston's worst. [16]
Corporate America is the fifth studio album by American hard rock band Boston, released in 2002.It is the first album to feature band members Anton Cosmo and Kimberley Dahme, the last album released in vocalist Brad Delp's lifetime (though he would posthumously appear on the band's following album Life, Love & Hope), the second and final album with vocalist Fran Cosmo, and the only album ...
For chords, it was common to just play three or two holes instead (sometimes even just one), especially when the instrument is not of the same key. For example, in the blues progression in G (G G G G7 C C G G D7 D7 G G) it is common to use a C diatonic instrument, and notate the following: G chord (G-B-D): 34i (BD) G7 chord (G-B–D-F): 45i (DF).
Despite the poor audio quality the first new studio Boston song to be heard in six years became the most requested song at AOR (album-oriented rock) stations that played the bootleg. "Amanda" is a relatively rare example of a song that reached number one on the Billboard Hot 100 in or after the 1980s without having a performance music video ...
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to jazz by ...