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The Bhagavata Purana (Sanskrit: भागवतपुराण; IAST: Bhāgavata Purāṇa), also known as the Srimad Bhagavatam (Śrīmad Bhāgavatam), Srimad Bhagavata Mahapurana (Śrīmad Bhāgavata Mahāpurāṇa) or simply Bhagavata (Bhāgavata), is one of Hinduism's eighteen major Puranas (Mahapuranas) and one of the most popular in Vaishnavism.
The Bhagavad Gita (/ ˈ b ʌ ɡ ə v ə d ˈ ɡ iː t ɑː /; [1] Sanskrit: भगवद्गीता, IPA: [ˌbʱɐɡɐʋɐd ˈɡiːtɑː], romanized: bhagavad-gītā, lit. 'God's song'), [ a ] often referred to as the Gita ( IAST : gītā ), is a Hindu scripture , dated to the second or first century BCE, [ 7 ] which forms part of the epic ...
The assertion that Vyasa is the incarnation of God (1.3.40) [10] and the story of Yashoda seeing the universal form in the mouth of boy Krishna (10.8.37–39) [11] are specific to the Srimad Bhagavatam (e.g. not in the Vishnu Purana or Bhagavad Gita).
Bhagavad-Gītā As It Is suggests a way of life for the contemporary Western world, and is derived from the Manu Smriti and other books of Hindu religious and social law. In this way of life, ideal human society is described as being divided into four varnas (brahmana – intellectuals, kshatriya – administrators, vaishya – merchants, shudra – workers).
The title of the text, 'Srimad Devi Bhagavata or 'Devi Purana'', is composed of two words, which together mean "devotees of the blessed Devi".Johnson states the meaning as the "ancient annals of the luminous goddess".
Bhagavad Gita: The Song of God is the title of the Swami Prabhavananda and Christopher Isherwood's translation of the Bhagavad Gītā (Sanskrit: भगवद्गीता, "Song of God"), an important Hindu scripture. It was first published in 1944 with an Introduction by Aldous Huxley. [1]
Bhagavad Gītā (भगवद् गीता): The national gospel contained in Mahābhārata, Part of the epic poem Mahabharata, located in the Bhishma-Parva chapters 23–40. A core sacred text of Hinduism and philosophy. [15] Bhagavata Purana: one of the "Maha" Puranic texts of Hindu literature, and is Sanskrit for "The Book of God".
This preliminary commentary on the Gita is the earliest example of Madhva's style which is characterised by its terseness and brevity. [3] He quotes from a variety of rare sources and scriptures and is not an exhaustive commentary on the Gita as it concentrates only on a few verses.